- Place where the work was made
- Qing dynasty 1644 - 1911 → China
- Media categories
- Scroll , Calligraphy
- Materials used
- pair of hanging scrolls; ink on paper
a - right scroll, 125 x 30.7 cm
b - left scroll, 125 x 30.7 cm
- Signature & date
Signed c.l. part b, in Chinese, inscribed in black ink "... Guanjiu rushan".
Signed l.l. part b, in Chinese, stamped in red ink “Rushan [artist's seal]".
- Gift of Dr. James Hayes 2009
- Not on display
- Accession number
- Artist information
Works in the collection
‘Precipices block the sun, yet lure the moon;
The aged tree reaching for the sky never obscures the clouds.’
Inscription and signature: Rushan, alias Guanjiu.
Rushan (alias Guanjiu, style name Guxi nanzi) was born into a Manchu family. He passed the civil service examination to gain the ‘jinshi’ degree in 1838. He then had a series of official posts, serving as chief comptroller of Jiangsu provincial revenue, as Zhejiang provincial judge, and then as governor of Sichuan. He was well versed in literature and wrote beautiful poetry. Buddhism also exercised a great influence on him (1).
Rushan admired the style of inscriptions of the Northern Wei stele, and took this as the foundation for his own calligraphy. On this basis, he absorbed and synthesised styles of different scripts, forming his own distinguished calligraphy. This couplet is written in running script, revealing a strong influence from the writings of the Northern Wei stele. Rushan occasionally painted landscapes, using his fingers instead of a brush. His contemporaries compared him with another technically innovative painter, Gao Qipei (1660–1734), who also used his hands – palms, fingers and nails –
in place of the traditional Chinese brush.
1 See Du Wenlan (1851–81), Qiyuan cihua, ‘juan 5’
‘The Poetic Mandarin: Chinese Calligraphy from the James Hayes Collection’
© 2005 Art Gallery of New South Wales
Where the work was made
Shown in 1 exhibition
The poetic mandarin: Chinese calligraphy from the James Hayes collection, Art Gallery of New South Wales, Sydney, 23 Sep 2005–27 Nov 2005