We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 In line with NSW Health advice, the Art Gallery is temporarily closed to the public. Stay updated on our social media.

Title

Bamboo brush pot decorated with three human figures in front of a pavilion in high relief

18th century-19th century

Artists

Unknown Artist

Alternate image of Bamboo brush pot decorated with three human figures in front of a pavilion in high relief by
Alternate image of Bamboo brush pot decorated with three human figures in front of a pavilion in high relief by
Alternate image of Bamboo brush pot decorated with three human figures in front of a pavilion in high relief by
Alternate image of Bamboo brush pot decorated with three human figures in front of a pavilion in high relief by
Alternate image of Bamboo brush pot decorated with three human figures in front of a pavilion in high relief by
  • Details

    Place where the work was made
    China
    Date
    18th century-19th century
    Media category
    Woodwork
    Materials used
    bamboo
    Dimensions
    13.2 x 6.5 cm
    Credit
    Gift of John Yu, in memory of George Soutter 2012. Donated through the Australian Government Cultural Gifts Program.
    Location
    Not on display
    Accession number
    147.2012
    Copyright

    Reproduction requests

    Share
  • About

    The scene depicted here reminds one of the story of ‘Xi Cai Yu Qin’ (Pleasing parents) in the Book of Twenty-four [examples] of Filial Piety. According to the story, Lao Lai Zi who lived during the Spring-Autumn and Warring States period (770-221 BCE) was a model son who always showed due respect to his parents. He would dress as a boy and behave like a child even when he was in his seventies in order to make his parents laugh.

    Asian Art Department, AGNSW, June 2012

    Bamboo Carving:
    The earliest mention of a bamboo brush pot in literature appears during the Song dynasty (960-1127). Zhu Yizun of the Ming dynasty (1368-1644) wrote in his 'Bi Tong Ming' ('On Brush Pot'): “Brushes that lie on the desk randomly are like people who don’t have proper deportment. When they are put in a brush pot, like guests finding a home, they become proper.”

    Starting from the late Ming dynasty, the literati of the day stressed the cultivation of 'ya' (elegant, refined distinguished) style in their life. This style was expressed in their studies, carved bamboo ornaments, including brush pots ('bitong'), arm rests ('bige') and incense tubes ('xiangtong'). These were highly sought after because bamboo was considered as one of the four symbols for 'gentleman' whose integrity should be like the sections on bamboo trunks that go higher and higher.

    The art of bamboo carving, probably started as early as the Tang dynasty, and became a unique art form. At its apogee in the early Qing dynasty (1644-1911), bamboo carving eclipsed all other similar forms of art and craft.

  • Places

    Where the work was made

    China

  • Exhibition history

    Shown in 1 exhibition