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Title

Crêpe-paper picture postcards by Mizuki Shigeru (Mizuki Shigeru chirimen e-hagaki)

2003

Artist

Mizuki Mizuki Shigeru

Japan

1922 – 2015

No image
  • Details

    Place where the work was made
    Japan
    Date
    2003
    Media category
    Print
    Materials used
    set of 10 postcards in a case (tatō); crêpe-paper on card
    Edition
    Produced in an edition of 640
    Dimensions
    16.9 x 12.3 cm case, 10.0 x 15.0 cm each card
    Credit
    Gift of Akio and Ayami Eastburn Todo 2020
    Location
    Not on display
    Accession number
    146.2020.a-k
    Copyright
    © Estate of Mizuki Shigeru
    Artist information
    Mizuki Mizuki Shigeru

    Works in the collection

    10

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  • About

    These cards feature reproductions of manga drawings of characters from Japan’s supernatural world by the pioneering artist Mizuki Shigeru. It was Mizuki Shigeru who brought the yōkai tradition of supernatural characters back into Japanese popular culture in the 1960s. The result of decades of research, his 'Definitive encycopedia of Japanese monsters (Ketteiban Nihon yōkai taizen)' describes almost 900 supernatural beings, ten of which are illustrated in this postcard set. The cards also reference Japan’s chirimen or crêpe-paper tradition which was popular in the 1880s and 90s for children’s books, including works in English for international markets. The use of chirimen for this set and the late 19th century style of the striped card case consciously reference styles that were fashionable in Japan's Meji perios (1868-1912).

    The yōkai and yūrei (ghosts) illustrated on the ten cards are: tsurube-otoshi (bucket bomber); hoho-nade (cheek brushers); murei or baku (dream spirit); azuki-arai (bean washer); akaname (grime licker); kingyo no yūrei (goldfish ghost); chirizuka Kai ō (strange king of the dust heap); chōchin Oiwa (lantern-demoness Oiwa); nurikabe (plastered wall), and kutabe (frightening woodcutters). The figure of Oiwa makes direct reference to Katsushika Hokusai’s famous c1831-32 woodblock print of the ghost of Oiwa while the kingyo no yūrei takes its form from the ghostly figures in a triptych of the ghost of Asakura Tōgo by Utagawa Kuniyoshi, an impression of which is in the Gallery’s collection (285.2018.a-c).

  • Places

    Where the work was made

    Japan

Other works by Mizuki Mizuki Shigeru

See all 10 works