24 Jul 1920 - 24 Apr 1999
Concurrent with the publication of the portfolio of Lysistrata etchings at the end of 1970, Boyd was commissioned by St. Helier Hospital in Carshalton, London to paint these two large works for the library.
An interest in ancient Greek myths and literary themes developed during the sixties and the story of Lysistrata, by the playwright Aristophanes, accommodated Boyd's enduring theme of conflict between opposing forces, in this case sexual desire and anti-war sentiment.
In the play, an Athenian woman - Lysistrata, 'dismisser of armies' - persuades the women of Athens to abstain from sexual relations with their husbands until the war with Sparta ends, successfully forcing a conclusion to the hostilities.
Boyd, however, chooses to depict a woman who breaks from her self-imposed internment and makes way in the dead of night to meet her husband, symbolically waiting near the cave of Pan, the ancient god of love. The intense yellow glow of the bright lantern within the grotto illuminates the seated dog to the left of the cave opening. Used often by Boyd in his earlier paintings, the haunting image of the sitting dog is a classical symbol of the spiritual guardian of humanity.
oil on canvas
300.0 x 443.0 cm
Signature & date
Signed and dated l.r. corner, red oil "Arthur Boyd/ 1971".
Purchased with funds provided by Katies through the auspices of Joseph and Gerda Brender 1982
Not on display
© Reproduced with permission of Bundanon Trust
Shown in 2 exhibitions
Arthur Boyd retrospective (1993-1994):
- Art Gallery of New South Wales, Sydney 15 Dec 1993–06 Mar 1994
- National Gallery of Victoria [St Kilda Road], Melbourne 30 Mar 1994–23 May 1994
- Tasmanian Museum and Art Gallery, Hobart 09 Jun 1994–21 Aug 1994
- Art Gallery of Western Australia, Perth 22 Sep 1994–20 Nov 1994
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000