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Title

Listening to nature

circa 1967

Artist

Brett Whiteley

Australia, England

07 Apr 1939 - 15 Jun 1992

Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
Alternate image of Listening to nature by Brett Whiteley
  • Details

    Place where the work was made
    London England
    Date
    circa 1967
    Media category
    Painting
    Materials used
    oil, resin, fabric and collage on plywood
    Dimensions
    146.0 x 102.0 cm board; 153.5 x 109.0 x 5.2 cm frame
    Signature & date

    Signed and dated l.r., pale blue oil "b.whiteley 64".

    Credit
    Gift of Michael and Helen Carapiet 2012. Donated through the Australian Government's Cultural Gifts Program 2012
    Location
    Not on display
    Accession number
    134.2012
    Copyright
    © Wendy Whiteley

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    Artist information
    Brett Whiteley

    Artist profile

    Works in the collection

    85

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  • About

    Shortly before taking up a Harkness Fellowship in New York at the end of 1967, Brett Whiteley travelled through Morocco, Majorca and Madrid, where he visited the Prado Museum and studied the fantastic imagery of the Flemish painter, Hieronymous Bosch. Upon returning to London, he completed a number of paintings which would prefigure his epic nineteen-panelled work 'The American Dream' 1968-69, which he completed while living at the legendary Chelsea Hotel in New York.

    'Listening to nature' c1967, comprises several elements seen in 'The American Dream': the use of thick resin and plaster to build up the surface; the flap and lobe of an ear; and the inclusion of collage elements; all of which suggest this work may have been a preliminary canvas in which Whiteley tested the limits of his materials.

    In this and other works of the period, Whiteley vented his anger, frustration and disillusionment with society around him: exploding, viscous streams of yellow secretions emblematic of the carnage he witnessed in news footage of the Vietnam War.

    Whiteley wrote:

    ‘I was determined myself to produce a monumental work of art that would summarise the sensation of the impending necessity for America to own up, analyse and straighten out the immense and immediately seeable MADNESS that seemed to run through most facets of American life’.

    [Barry Pearce, ‘Art & life’, AGNSW, Sydney 1995, pg. 31]

  • Places

    Where the work was made

    London

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 2 publications

Other works by Brett Whiteley

See more works