oil on plywood
39.0 x 47.0 cm board;39.5 x 47.4 cm sight; 53.5 x 61.4 x 3.7 cm frame
Signature & date
Signed l.r. corner, black ink "H TRENERRY". Not dated.
Not on display
© Copyright reserved
Shown in 3 exhibitions
Parallel Visions: Twenty-two artists from the Australian collection, Art Gallery of New South Wales, Sydney, 22 Feb 2002–May 2003
Arid Arcadia: art of the Flinders Ranges, Art Gallery of South Australia, Adelaide, 30 Aug 2002–03 Nov 2002
Australian Collection Focus: The late landscape paintings of Horace Trenerry, Art Gallery of New South Wales, Sydney, 29 Nov 2008–15 Mar 2009
Referenced in 7 publications
Lou Klepac 1970, Horace Trenerry: 1899-1958, 'Introduction', pg. 9-24, Sydney, 2009, 63, 72 (colour illus.).
Christopher Allen, The Weekend Australian, 'Lone pine: the late landscape paintings of Horace Trenerry', pg. 18-19, Canberra, 07 Feb 2009-08 Feb 2009, 19 (colour illus.). NOTE: Review of the Australian focus room exhibition.
Alisa Bunbury, Arid Arcadia: Art of the Flinders Ranges, 'After Heysen: contemporaries and followers', pg. 86-109, Adelaide, 2002, 98, 99 (colour illus.), 102, 191 (illus.).
Joe Frost, Artist profile [issue 7], 'The late landscapes paintings of Horace Trenerry', pg. 89, Sydney, 2009, 87. Review of AGNSW Focus Room exhibition.
Lou Klepac, Parallel visions: works from the Australian collection, 'Hans Heysen / Elioth Gruner / Horace Trenerry', pg. 32-47, Sydney, 2002, 146.
Barry Pearce, The late landscape paintings of Horace Trenerry, Sydney, 2008, (colour illus.). NOTE: Online exhibition catalogue for the Australian focus room exhibition.
Barry Pearce, Look, 'Horace Trenerry: Unsung hero of Australian art', pg. 34-36, Sydney, Nov 2008, 36 (colour illus.).