We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


Madonna and Child

circa 1480s


Francesco di Simone Ferrucci


1437 – 24 Mar 1493

  • Details

    circa 1480s
    Media category
    Materials used
    71.5 x 55.0 x 13.5 cm sight; 90.0 x 72.0 x 18.0 cm frame (irreg.)
    Signature & date

    Not signed. Not dated.

    Purchased 1971
    South Building, ground level, Grand Courts
    Accession number

    Reproduction requests

    Artist information
    Francesco di Simone Ferrucci

    Works in the collection


  • About

    The sentimentality and modesty of this relief reflect changing patterns of devotion in Italy at the time of the first flowering of the Renaissance. The ethereal, queenly Madonnas of medieval art have been superseded by a more human, and altogether more accessible conception of the Virgin. Here is a Madonna to be approached, perhaps kissed, and a Holy Child to be adored. Ferrucci trained in the famous Florentine workshop of Verrocchio, perhaps side by side with the young Leonardo da Vinci. Certainly this marble manifests the essential sweetness that Leonardo elaborated on the basis of Verrocchio's manner. Though an artist of the second rank, Ferrucci surpasses himself in this work. The modulations of drapery, the naturalistic rendering of the figures - especially the rotundity of the infant Christ - and the attention given to Mary's look of dreamy reverie: all these contribute to a work of art that is at once sacred and secular.

    AGNSW Handbook, 1999.

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 5 publications