10 Nov 1911 - 20 Oct 1994
"South Morang. This was an area I was taken to as a child for a picnic. All the shapes and forms unfolded themselves and a man was actually working in his cabbage patch. I tried new colour harmonies and greater abstraction overall. Of the collection this print probably gave me the greatest pleasure to produce. It certainly was the most difficult to do".
Alan Sumner quoted in Roger Butler, 'Alan Sumner screenprints: A catalogue Raisonné', Eastgate Gallery, Melbourne, 1993
screenprint, printed in colour from 13 stencils
37.0 x 43.4 cm image; 40.5 x 46.1 cm sight
Signature & date
Signed l.r., pen and black ink "Alan Sumner". Not dated.
Bequest of Ian Whalland 1997
Not on display
Where the work was made
Referenced in 5 publications
Roger Arthur Butler, Alan Sumner screenprints: A catalogue Raisonné, Hawthorn East, 1993, 68. 69 (colour illus.). cat.no. 33
Roger Arthur Butler, Australian prints in the Australian National Gallery, Canberra, 1985, 42 (illus.).
David Ellis., Art Network, 'The screenprints of Alan Sumner', Sydney, Summer 1984, 13 (illus.).
Felicity St John Moore, Classical modernism: the George Bell circle, Melbourne, 1992, 61 (illus.).
World Print Council, Print news (vol. 8, no. 3), San Francisco, Summer 1986, 7 (illus.).