We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


Early morning mists, Meryla

circa 1946


Freda Robertshaw


1916 - 1997

Alternate image of Early morning mists, Meryla by Freda Robertshaw
Alternate image of Early morning mists, Meryla by Freda Robertshaw
  • Details

    Other Title
    View onto the Shoalhaven
    circa 1946
    Media category
    Materials used
    oil on hardboard
    39.0 x 29.0 cm sight; 52.7 x 42.5 x 3.5 cm frame
    Signature & date

    Signed l.l. corner, grey oil "F ROBERTSHAW". Not dated.

    D G Wilson Bequest Fund 2015
    Not on display
    Accession number
    © Estate of Freda Robertshaw

    Reproduction requests

    Artist information
    Freda Robertshaw

    Works in the collection


  • About

    Freda Robertshaw graduated from the commercial art course at East Sydney Technical College in 1937 having studied drawing, life drawing, oil painting, watercolour and lettering with Frank Medworth, Douglas Dundas, Herbert Badham, William Dobell, Arthur Murch, Charles Meere and others. She apprenticed herself to Charles Meere, her former life drawing teacher, and trained in his neo-classical style. Her feminised version of his 'Australian beach pattern' (1940) from the AGNSW collection, 'Australian beach scene' (1940) demonstrates her great mastering of Meere’s style. Her 'Standing nude (self portrait)' (1944) is another career highlight, and is the earliest nude self-portrait exhibited by a female artist in Australia.

    Robertshaw left Meere’s studio after this work was painted and also left behind figurative painting. She returned to her first loves – landscape and flower painting, and her painting style also changed, becoming looser and post-Impressionistic in style.

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 3 publications

Other works by Freda Robertshaw

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