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Ingeborg Tyssen

Netherlands, Australia

1945 - 09 Oct 2002


Ingeborg Tyssen arrived in Australia, from her native Holland, in 1957 as a 12 year old and the photographs she made throughout her career convey the sense of loss and dislocation she experienced as a young immigrant. A non-English speaking child, she found that she had to leave behind not only her language, but, as she put it in 1986 ‘the onomatopoeic nursery rhymes which initiated me, as a child, into the dark secrets of the European woods.’ Tyssen’s interest in photography emerged during travel undertaken in the 1970s, and on her return to Sydney she took a class with John F Williams. Influenced by his teaching, Tyssen began exhibiting her own photographs in 1975.

Tyssen’s work is distinguished by its particular intensity. Her earliest works were observational photographs of urban space that explored themes of isolation and dislocation. In particular she was preoccupied with sites of suburban pleasures like fun parks, pools and gardens and produced wry examinations of mundane scenes that implicate the comical and the poetic with the everyday. As critic Blair French noted in 2003, ‘the fascinating “strangeness” of vision in Tyssen's work suggests an authorial consciousness formed, in part, elsewhere and constantly seeking to rearticulate itself within a different world.’ Her oeuvre reflects on the difficulty of communication, while probing the expressive potential of photography as a site for critical engagement.

Tyssen’s ‘People series – city light’ from the late 1970s dramatizes the stark alienation of the urban landscape. These snapshots of unaware and unassuming pedestrians are studies of light and form. The figures are splintered between the angular architecture of the streetscape and the harsh contrasts of light and shadow that dominate the image. Some of these photographs place the central figure in sharp relief and read like astute character studies while in other works the identity of each subject is subsumed by the irregular geometry of the composition.


Other Title

People Series 3



Media category


Materials used

gelatin silver photograph


18.6 x 27.7 cm image; 30.2 x 38.0 cm sheet

Signature & date

Signed l.r. verso, pencil "I Tyssen". Not dated.


Hallmark Cards Australian Photography Collection Fund 1989


Not on display

Accession number


Artist information

Ingeborg Tyssen

Works in the collection


Referenced in 2 publications


Sandra Byron and Isobel Crombie, Twenty contemporary Australian photographers - from the Hallmark Cards Australian Photographic Collection, Melbourne, 1990, 48 (illus.).

Ewen McDonald and Judy Annear (Editors), What is this thing called photography? Australian photography 1975-1985, Annandale, 2000, 48 (illus.).