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Title

Untitled , Number three from the portfolio The Leda Suite

1961

Artist

Sidney Nolan

Australia, England

22 Apr 1917 – 28 Nov 1992

Artist profile

  • Details

    Date
    1961
    Media category
    Print
    Materials used
    lithograph, black ink on white Crisbrook Waterleaf paper
    Edition
    83/125
    Dimensions
    43.2 x 55.8 cm image (irreg.); 57.4 x 68.1 cm sheet
    Signature & date

    Signed l.r., pencil "Nolan". Not dated.

    Credit
    Purchased 1994
    Location
    Not on display
    Accession number
    12.1994.3
    Copyright
    © The Trustees of the Sidney Nolan Trust/DACS. Copyright Agency

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    Artist information
    Sidney Nolan

    Artist profile

    Works in the collection

    140

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  • About

    Sidney Nolan was born at Carlton, Melbourne and grew up in St Kilda. He was enrolled at the National Gallery School in 1934 and 1936, studying sporadically under Charles Wheeler and W B McInnes. He met art patrons John and Sunday Reed in 1938, the year before he started exhibiting with the Contemporary Art Society (of which he was a foundation member) and two years before his first solo exhibition. He developed into a major painter over the following years, and was associated with the Angry Penguins group in Melbourne. In 1951 he visited Europe for the first time, followed by frequent trips to Europe, Asia, North and South America. He returned to London in 1957 where a retrospective of his work was held at the Whitechapel Gallery. In late 1957 - early 1958 he studied engraving and lithography under S W Hayter in Paris.

    The Ganymed Press was founded in London in 1947. Initially involved with making collotype facsimile reproductions of drawings and watercolours, the firm began to make a number of original artist's prints in 1951 with Henry Moore. Their next venture was Nolan's Leda suite ten years later. The recipient of a Harkness Fellowship, Nolan had lived in New York from June 1958 - April 1960, during which time he developed a series of paintings on the theme of Leda and the swan. He exhibited these in 1960 when he returned to live in London; their 'latent graphic quality' led Bernhard Baer, one of the co-directors of the Ganymed Press, to suggest Nolan apply the theme to lithography.

    The Gallery acquired the Leda Suite in 1994 from the Queensland Art Gallery (a deaccessioned duplicate set), who acquired them from the Ganymed Press in 1961.

    Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', AGNSW, 1998

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication

Other works by Sidney Nolan

See all 140 works