- Media category
- Materials used
- 24.8 x 19.0 cm trimmed to platemark; 52.1 x 46.3 x 4.5 cm frame
- Signature & date
Signed and dated l.r., [incised plate] "1514/ AD [artist's monogram]".
- Gift of Bridgestar Pty Ltd an investment company of the Late James Fairfax AC 2019. Donated through the Australian Government's Cultural Gifts Program.
- Not on display
- Accession number
- Artist information
Works in the collection
St Jerome, who produced the Latin vulgate version of the bible, occupies the end of the room. By Dürer’s time Jerome had, as a scholar and a Latinist, become an iconic figure for the humanists. Bent over his small writing desk which is placed on a larger table together with a crucifix and a pot of ink. Suspended from the wall behind him is the cardinal’s hat (a traditional attribute, although Jerome never in fact became a cardinal). Dressed in a simple habit rather than the vestment usually befitting a doctor of the Church, Jerome is a modest scholar filled with divine illumination as he translates the word of God. The radiance of his halo outshines the brilliance of the daylight. It is virtually the only part of the engraving where the paper is left untouched by the work of the burin.
Dürer represented St Jerome in prints on five occasions, however this was his last rendition of the theme. The date of 1514 is also that of the publication of the translation of St Jerome’s biography by Dürer’s friend Lazarus Spengler.
Together with 'Melencolia I' and 'Knight, Death and the Devil', these three engravings have long been known as the ‘Master Engravings’. With these works Dürer attained the height of his capacities as an engraver. Aside from their technical sophistication, the prints are also connected by their near identical format and their concentration of a single figure in a highly complex, richly symbolic environment. The prints have been interpreted as representing three different modes of virtuous living, with St Jerome symbolising the solitary, contemplative and self-fulfilled life of the man of letters.
Shown in 1 exhibition
The James Fairfax collection of old master paintings, drawings and prints, Art Gallery of New South Wales, Sydney, 17 Apr 2003–20 Jul 2003
Referenced in 1 publication
Richard Beresford and Peter Raissis, The James Fairfax collection of old master paintings, drawings and prints, Sydney, 2003, p 80, no 20, illus p 81.
David Tunick Inc., pre 04 Apr 1998, New York/United States of America
James Oswald Fairfax AC, 04 Apr 1998-11 Jan 2017, Bowral/New South Wales/Australia, Purchased from David Tunick through Thirty Victoria Street, Sydney, by James Fairfax, for US $240,000.
Bridgestar Pty Ltd, post 11 Jan 2017, Sydney/New South Wales/Australia, The Estate of James O Fairfax.
Other works by Albrecht Dürer
See all 14 works