-
Details
- Date
- 1938, printed later
- Media category
- Photograph
- Materials used
- gelatin silver photograph
- Dimensions
- 31.2 x 24.4 cm image/sheet; 40.6 x 37.3 cm original board
- Signature & date
Signed and dated l.r. and u.c. verso original board, pencil "Max Dupain '38".
- Credit
- Purchased 1976
- Location
- Not on display
- Accession number
- 116.1976
- Copyright
- Artist information
-
Max Dupain
Works in the collection
- Share
-
-
Exhibition history
Shown in 8 exhibitions
Max Dupain Retrospective 1930-1980, Art Gallery of New South Wales, Sydney, 29 Aug 1980–28 Sep 1980
Seeing is believing - the art in photography, Art Gallery of New South Wales, Sydney, 13 Dec 1985–19 Jan 1986
Celebrity Choice - Sam Neill, Art Gallery of New South Wales, Sydney, 08 Jan 1987–08 Feb 1987
Four Photographers, Art Gallery of New South Wales, Sydney, 02 Jun 1990–19 Aug 1990
Max Dupain - An Appreciation, Art Gallery of New South Wales, Sydney, 11 Aug 1992–30 Aug 1992
Critic's Choice, Art Gallery of New South Wales, Sydney, 22 Apr 1994–10 Jul 1994
Soft Shadows and Sharp Lines: Australian photography from Cazneaux to Dupain, Art Gallery of New South Wales, Sydney, 30 Sep 2002–17 Nov 2002
The photograph and Australia, Art Gallery of New South Wales, Sydney, 21 Mar 2015–08 Jun 2015
The photograph and Australia, Queensland Art Gallery, South Brisbane, 04 Jul 2015–11 Oct 2015
-
Bibliography
Referenced in 6 publications
-
Judy Annear, The photograph and Australia, Sydney, Jun 2015, 271 (colour illus.).
-
Natasha Bullock (Curator), Soft shadows and sharp lines: Australian photography from Cazneaux to Dupain, Sydney, 2002. no pagination or catalogue numbers
-
Robert McFarlane, Critic's Choice, Sydney, 1994.
-
Robert McFarlane, Black + White - The Masters, 'Max Dupain', pg. 194-207, Sydney, 1999, 205 (illus.).
-
Gael Newton, Max Dupain retrospective 1930-1980, Sydney, 1980. cat.no. 35
-
Ursula Prunster, Seeing is believing: the art in photography, Sydney, 1985. cat.no. 14
-
