- circa 1929
- Media category
- Materials used
- gelatin silver photograph
- 32.0 x 23.0 cm image/sheet
- Signature & date
Not signed. Dated on original mount.
- Gift of the Cazneaux family 1975
- Not on display
- Accession number
- Artist information
Works in the collection
Shown in 6 exhibitions
Project 7 - Harold Cazneaux: 1878 - 1953 (1975), Art Gallery of New South Wales, Sydney, 30 Aug 1975–28 Sep 1975
Harbour hymns, city songs: visions of Sydney from the collection, Art Gallery of New South Wales, Sydney, 13 Jan 1990–11 Mar 1990
Fine and mostly sunny: photographs from the collection, Art Gallery of New South Wales, Sydney, 28 Sep 1991–01 Dec 1991
Soft Shadows and Sharp Lines: Australian photography from Cazneaux to Dupain, Art Gallery of New South Wales, Sydney, 30 Sep 2002–17 Nov 2002
Modernism/Japonism in photography 1920s-1940s: Ishida Kiichiro and the Sydney Camera Circle, Museum of Sydney, Sydney, 20 Dec 2003–25 Apr 2004
Harold Cazneaux: artist in photography, Art Gallery of New South Wales, Sydney, 05 Jun 2008–10 Aug 2008
Referenced in 8 publications
Natasha Bullock (Curator), Soft shadows and sharp lines: Australian photography from Cazneaux to Dupain, Sydney, 2002. no catalogue numbers
Natasha Bullock, Harold Cazneaux: artist in photography, Sydney, 2008.
Sandra Byron, Fine and Mostly Sunny: Photographs from the collection, Sydney, 1991. cat.no. 19
Isobel Crombie, Body culture: Max Dupain, photography and Australian culture, 1919-1939, Mulgrave, 2004, 183 (illus.). fig.8.4
Zeny Edwards, Sunlight and Shadow - The Lifework of Harold Cazneaux, Sydney, 1996, 168 (illus.), 199.
Gael Newton, Project 7: Harold Cazneaux 1878 - 1953, Sydney, 1975. cat.no. 21
Rose Peel, Photography: Art Gallery of New South Wales Collection, 'Australian postwar photo-documentary', pg.189-207, Sydney, 2007, 195.
Kay Vernon, Harbour hymns, city songs: visions of Sydney from the collection, Sydney, 1990. cat.no. 107
Other works by Harold Cazneaux
See more works