We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.





Djirrirra Wunuŋmurra


1968 –

Language group: Dhalwangu, Arnhem region

  • Details

    Place where the work was made
    Yirrkala North-east Arnhem Land Northern Territory Australia
    Media category
    Bark painting
    Materials used
    natural pigments on bark
    168.0 x 40.0 cm
    Purchased with funds provided by the Aboriginal Collection Benefactors' Group 2012
    Not on display
    Accession number
    © Djirrirra Wunungmurra. Licensed by Buku-Larrnggay Mulka Art Centre

    Reproduction requests

    Artist information
    Djirrirra Wunuŋmurra

    Works in the collection


  • About

    Djirrirra Wunuŋmurra is a Dhalwaŋu artist from Gurrumurru, near Yirrkala. She comes from a renowned artistic family. Her father, Yaŋarriny Wunuŋmarra and brother Nawurapu Wunuŋmarra, are known for their epic bark paintings depicting major Dhalwaŋu narratives and have taught Wunuŋmurra the exceptional skills that distinguish her artworks.

    'Yukuwa 2011' by Wunuŋmurra marks a dramatic shift in her practice and more widely, in bark painting traditions. Previously Wunuŋmurra’s works have epitomised the highly geometric style for which Yirrkala is recognised, with intricate fields of rarrk (cross hatching) forming precise geometric patterns. In such works the shimmering effect of the rarrk reflects the power of the site or story represented. However, in 'Yukuwa', Wunuŋmurra has avoided precise geometry and eliminated the use of rarrk, as well as reducing her palette.

    This paring back of traditional forms of representation and ways of painting is highly appropriate as Wunuŋmurra is painting Yukuwa, a yam, which is also one of her names, making the work a form of self portrait. Yukuwa is associated with a renewal ceremony shared by all Yirritja moiety clans and involves the exchange of sacred objects, songs and dance. Traditionally the invitation to this ceremony takes the form of a yam with strings ending in feathered flowers attached to it, reflecting the kinship lines that bind people and are celebrated in the Yukuwa ceremony.

    In 'Yukuwa 2011', Wunuŋmurra has elegantly painted the intertwining tendrils of the yam, adorned with feathered flowers. The subtle variations in the details of these flowers are reminiscent of traditional infilling techniques and give the work a lace-like appearance. The inherent simplicity in this work belies Wunuŋmurra’s skill in transforming her cultural inheritance and offering innovative forms of representation.

  • Places

    Where the work was made


  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 1 publication

Other works by Djirrirra Wunuŋmurra