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Title

Tripod censer

11th century-12th century

Artist

Yaozhou ware

China

  • Details

    Place where the work was made
    Shaanxi Province China
    Period
    Northern Song 960 - 1127 Song dynasty 960 - 1279 → China
    Date
    11th century-12th century
    Media category
    Ceramic
    Materials used
    stoneware with moulded decoration
    Dimensions
    9.0 x 11.7 cm
    Signature & date

    Not signed. Not dated.

    Credit
    Gift of Laurence G. Harrison 1990
    Location
    Not on display
    Accession number
    102.1990
    Copyright

    Reproduction requests

    Artist information
    Yaozhou ware

    Works in the collection

    4

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  • About

    The term celadon is a western one, derived from the name of a shepherd boy in a 17th century French play whose costume was of the luscious grey-green colour associated with this word. Celadons vary enormously in their hues, shapes and bodies and were produced at various kilns around China.

    While the West is generally more familiar with the Longquan celadons produced at southern kilns in Zhejiang province, because they were widely exported, there were earlier kilns in Northern China that produced quality celadon wares. In the Northern Song dynasty (960-1127) when the Imperial court still resided at Kaifeng before invading foreigners forced it to flee south to Hangzhou, it patronised the northern celadon kilns. One group of kilns, located north of Xian in Shaanxi province emerged as the producers of wares of the highest quality. These kilns were known after the Song name of their region which was Yaozhou.

    This celadon censer is a rare example of northern celadon. Its colour, admired by poets as 'mysterious' (mi), and its carved decoration are characteristic of northern celadons. Its shape is based on an archaic bronze prototype, a popular tradition in China where the ruling classes had always maintained a deep veneration for the ritual bronzes of the Shang dynasty (1600 - 1027 BCE). Censers were commonly found on the desk of a Chinese scholar for the smell of incense was appreciated for its ability to heighten one's poetic sensibility, one's writing skills and one's ardour.

    Asian Art Department, AGNSW, February 1990.

  • Places

    Where the work was made

    Shaanxi Province

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 3 publications

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