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Global groove



Nam June Paik

Korea, United States of America

20 Jul 1932 – 29 Jan 2006

No image
  • Details

    Media category
    Time-based art
    Materials used
    digital tape (betacam) shown as single channel digital video, colour, sound
    duration: 00:28:30 min; aspect ratio: 4:3
    Annette Dupree Bequest Fund 2004
    Not on display
    Accession number
    © Nam June Paik Estate
    Artist information
    Nam June Paik

    Works in the collection


  • About

    In collaboration with John Godfrey.
    Director: Merrily Mossman.
    Narrator: Russell Connor.
    Film Footage: Jud Yalkut, Robert Breer.
    Produced by the TV Lab at WNET/Thirteen

    "This is a glimpse of the video landscape of tomorrow, when you will be able to switch to any TV station on the earth, and TV Guide will be as fat as the Manhattan telephone book." So begins 'Global Groove', a seminal tape in the history of video art. This radical manifesto on global communications in a media-saturated world is rendered as a frenetic electronic collage, a sound and image pastiche that subverts the language of television. With surreal visual wit and an antic neo-Dada sensibility, Paik manipulates an emblematic pastiche of multicultural elements, artworld figures and Pop iconography.

    Pepsi commercials appropriated from Japanese television are juxtaposed with performances by avant-garde artists John Cage, Merce Cunningham, Allen Ginsberg and the Living Theatre; dancers moving in a synthesized, colorized space to Mitch Ryder's 'Devil with a Blue Dress On' are intercut with traditional Korean dancers. Charlotte Moorman, her image wildly synthesized, plays the 'TV Cello'; Paik and Moorman play the 'TV Bra for Living Sculpture'; Richard Nixon's face is distorted by a magnetically altered television. In an ironic form of interactive television, Paik presents "Participation TV", in which he instructs viewers to open or close their eyes. Paik subjects this transcultural, intertextual content to an exuberant, stream-of-consciousness onslaught of disruptive editing and technological devices, including audio and video synthesis, colorization, ironic juxtapositions, temporal shifts and layering - a controlled chaos that suggests a hallucinatory romp through the channels of a global TV. With its postmodern content, form and conceptual strategies, 'Global Groove' has had a profound influence on video, television and contemporary art.
    (Electronic Arts Intermix website, http://www.eai.org access 7/9/11)

  • Exhibition history

    Shown in 2 exhibitions

Other works by Nam June Paik

See all 9 works