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Update from the Gallery regarding COVID-19

The Art Gallery of New South Wales is open. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Read the latest visit information

  • On the hop

    A symbol of fertility and the natural cycle of life or a destructive invader and feral pest... At Easter, we look at the image of the rabbit in different cultures and in the Gallery's collection.

    4 months ago, by Susannah Smith

  • Practice, practice, practice

    ARTEXPRESS 2020 not only reveals the intense work that underpins artmaking, it puts work by senior high school students alongside professional artists in the public arena and lets us see the world through their eyes.

    5 months ago, by Louise Halpin

  • Joint venture

    With love in the air this Valentine’s Day (14 February), we explore the world of the collaborative artist couple through the partnerships of Christo and Jeanne-Claude, Charles and Ray Eames, Gilbert & George and Marina Abramović and Ulay.

    6 months ago, by Susannah Smith

  • If the walls could stalk

    One hundred demons, nine days, one artist… Kentaro Yoshida speaks about his vast 'Japan supernatural' mural in the entrance court at the Gallery until 9 February 2020.

    6 months, 1 week ago, by John Saxby

  • Eat with your eyes

    Spanish artist Antoni Miralda talks about his 1973 artwork 'Coloured bread' and revisiting it for the exhibition 'Making art public: 50 years of Kaldor Public Art Projects' with Sydney master baker Kieran McKay.

    6 months, 2 weeks ago, by Susannah Smith

  • Restored and revived

    Creating a Yao ceremonial painting takes about two months and is governed by strict rules of conduct. Conserving nine of these fragile works was an intricate process that took six months to complete.

    8 months, 1 week ago, by Art Gallery of NSW blog

  • Sharing stories (and stickers)

    The Gallery’s Belonging project aims to foster lasting connections through art by bringing together artists with children from migrant, refugee and asylum seeker communities.

    9 months ago, by John Saxby

  • Making their mark

    How does winning a travelling scholarship impact the life of a young artist? In the lead up to the awarding of the 2019 Brett Whiteley Travelling Art Scholarship, five past winners reflect on the experience.

    11 months ago, by Susannah Smith

  • A pilgrim's progress

    More than 100 years ago, an 18th-century portrait of a saint by the Venetian Baroque master Tiepolo washed ashore undamaged after a shipwreck off the Australian coast. It's now back on the walls of the Gallery after conservation treatment.

    1 year ago, by Anne Gerard-Austin

  • Hidden depths

    Successful self-portraits make visible something that is invisible, as is the case with the 11 paintings in this year's Archibald Prize in which artists have chosen to depict themselves.

    1 year, 1 month ago, by Susannah Smith

  • Merrily we go to the movies

    Groundbreaking female directors from the 1930s to today are showcased in a film program at the Gallery. Quick-paced, whip-smart and awaiting rediscovery by new Sydney audiences, we might say they channel the spirit of Señora Spencer, the world’s first female projectionist.

    1 year, 1 month ago, by Ruby Arrowsmith-Todd

  • Marcel Duchamp: from A to Z

    A beginner’s guide to Marcel Duchamp, one of the 20th century’s most original artistic figures and subject of 'The essential Duchamp' exhibition.

    1 year, 2 months ago, by John Saxby

  • My big break

    Four women artists with works in the Art Gallery of NSW collection reflect on their formative moments in the art world.

    1 year, 5 months ago, by Susannah Smith

  • Mapping connections

    Australia is top of the world map in Reena Saini Kallat’s installation, created specifically for the Gallery, which traces migration routes taken by groups of people, from indentured labourers to professionals.

    1 year, 9 months ago, by Sarah Couper

  • Stockings and spice

    Anyone who has ever owned a pair of stockings and tried to get through a winter without them running or becoming a saggy lump will appreciate the complexities of maintaining a room-full of stockings into perpetuity.

    1 year, 11 months ago, by Lisa Catt

  • Spacemakers and roomshakers

    Bicycle wheels, stuffed goats, tonnes of sugar, soap bubbles, crushed cars, potted plants, lard, plastic bottles, television monitors… The list of things from which sculpture can be made today is almost endless.

    2 years ago, by Justin Paton

  • Supernova

    Anna May Wong was no ordinary star. Born in Los Angeles in 1905 to second-generation Chinese parents, she broke into Hollywood at a time when studios baulked at screen-testing actresses of colour.

    2 years, 1 month ago, by Ruby Arrowsmith-Todd

  • A year that shook the world

    To commemorate the golden anniversary of 1968, the Gallery’s latest film season offers a genre-spanning, globetrotting snapshot of a year that shook the world.

    2 years, 5 months ago, by Ruby Arrowsmith-Todd

  • Sounds of silence

    If the paintings of the Dutch golden age could sing, what would they sound like?

    2 years, 7 months ago, by Sarah Couper

  • Inside Sidney Nolan's last studio

    Sidney Nolan is one of Australia's most celebrated artists. His last studio, in the Welsh Marches on the border of Wales and England, is preserved for researchers and visitors, and still runs as an organic farm.

    2 years, 8 months ago, by Paula Dredge

  • Inside a framing studio

    Frames have seldom been paid much attention in art history but they are art’s great scene-setters. A visit to the studio of the Gallery's frame-maker illuminates an art form that lives in the margins.

    2 years, 10 months ago, by Sarah Couper

  • Written with the body

    No practice. No rubbing out. And don’t spill anything. These were some of the challenges artist Liang Xiao Ping faced recently when writing calligraphy in acrylic and Chinese ink across an 11-metre length of stretched canvas in the Art Gallery of NSW.

    4 years, 3 months ago, by John Saxby