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  • Sharing your image, Tudor style

    In early 16th-century England the art of portraiture was developing rapidly and there were more pictures of King Henry VIII in existence than of any earlier British monarch. But who created these images, and how?

    6 days, 3 hours ago, by Project Team Henry VIII

  • The not-so-young Henrys

    The Art Gallery of NSW owns a portrait of Henry VIII, one of the world’s most recognisable figures, but until recently we knew little about it. Some of the artwork’s deepest secrets have now been revealed, following a major research project.

    1 week, 5 days ago, by Project Team Henry VIII

  • We are family

    When it comes to Australia’s favourite portrait prize, for this year’s crop of finalists and their subjects it’s a real family affair.

    1 month ago, by Kirsten Tilgals

  • Looking good once again

    Looming eight metres high, Brett Whiteley's giant pair of matches has become a Sydney landmark, marking the approach to the Art Gallery of NSW from Woolloomooloo. The sculpture has just undergone extensive conservation treatment.

    2 months ago, by Melanie Barrett

  • When Violet painted Margaret Alice

    On International Women's Day, 8 March, we'd like to introduce you to a new painting at the Gallery - a unique portrait from 1900 of tennis-playing Margaret Alice by Australian artist Violet Teague.

    3 months, 2 weeks ago, by Art Gallery of NSW blog

  • A year that shook the world

    To commemorate the golden anniversary of 1968, the Gallery’s latest film season offers a genre-spanning, globetrotting snapshot of a year that shook the world.

    3 months, 4 weeks ago, by Ruby Arrowsmith-Todd

  • Artist interview: Kushana Bush

    New Zealand-based artist Kushana Bush reveals how water-skiing and sportswear are among the vast array of sources for her painstakingly detailed works.

    5 months ago, by Lisa Catt

  • Restoring a Streeton

    Almost 100 years after Arthur Streeton painted the WWI battleground of Villers-Bretonneux, a major conservation project has restored both the painting and its frame.

    5 months, 1 week ago, by Céline de Courlon

  • Sounds of silence

    If the paintings of the Dutch golden age could sing, what would they sound like?

    6 months ago, by Sarah Couper

  • Vale Ray Hughes

    Legendary art dealer and gallery owner Ray Hughes has died at the age of 72.

    6 months, 1 week ago, by Art Gallery of NSW blog

  • Inside Sidney Nolan's last studio

    Sidney Nolan is one of Australia's most celebrated artists. His last studio, in the Welsh Marches on the border of Wales and England, is preserved for researchers and visitors, and still runs as an organic farm.

    6 months, 2 weeks ago, by Paula Dredge

  • One in five Australians

    Did you realise that one in five Australians are people with disability? That's 4.3 million individuals.

    6 months, 3 weeks ago, by Danielle Gullotta

  • Artist interview: Sara Hughes

    New Zealand artist Sara Hughes talks about her 2008 work 'Torpedo', which took shape in New York against the backdrop of imploding financial markets.

    7 months ago, by Lisa Catt

  • Souvenirest and dearest

    I have a lot of feelings about magnets. Let’s get that out in the open first thing. I’m not being ironic here. I believe souvenir items are a genuinely wonderful phenomenon, and magnets are their apex form.

    7 months, 1 week ago, by Holly Bennett

  • Contemporary printmaking from the Torres Strait Islands

    On 28 October, the Gallery opens a new exhibition presenting the work of Glen Mackie and Daniel O’Shane, two artists with individual practices who are currently at the forefront of contemporary Torres Strait Islander printmaking

    7 months, 3 weeks ago, by Cara Pinchbeck

  • Admired by Tom Roberts and Van Gogh

    Vincent Van Gogh called George John Pinwell a poet who saw the sublime in the most ordinary, commonplace things, and Tom Roberts wrote admiringly of his work 'A seat in St James's Park', now in the Gallery's collection and on display in the 'Victorian watercolours' exhibition.

    8 months ago, by Peter Raissis

  • Artist interview: Grant Stevens

    Grant Stevens reveals how the road trip he took along the US west coast in 2007 led to his work 'The way' in the Gallery's 'Out of the ordinary' exhibition.

    8 months, 1 week ago, by Lisa Catt

  • Inside a framing studio

    Frames have seldom been paid much attention in art history but they are art’s great scene-setters. A visit to the studio of the Gallery's frame-maker illuminates an art form that lives in the margins.

    8 months, 2 weeks ago, by Sarah Couper

  • Wearing modernism

    What's involved in reproducing an exquisitely coloured painting or woodcut print on a silk scarf? A visit to a local Sydney studio revealed the painstaking process.

    9 months ago, by Holly Bennett

  • None of these women are naked

    Back in 1989, the artist collective known as the Guerilla Girls famously asked: Do women have to be naked to get into the Met. Museum?. There’s still a long way to go until there’s gender parity in the artworld but there are signs of progress. Wherever you venture in the Art Gallery of NSW at the moment, you're likely to encounter the work of an inspiring woman.

    9 months, 3 weeks ago, by Kirsten Tilgals

  • Artist interview: Jonathan Jones

    Sydney-based artist Jonathan Jones, member of the Wiradjuri and Kamilaroi nations of south-east Australia, talks about his 2004 work 'blue poles' in the Gallery's 'Out of the ordinary' exhibition.

    10 months ago, by Lisa Catt

  • Grace Cossington Smith and the Macquarie Galleries mystery

    With the exhibition 'O’Keeffe, Preston, Cossington Smith: making modernism' currently showing at the Gallery, now is a perfect time to revisit one of the most mysterious crimes in Australian art – the theft of 28 Grace Cossington Smith paintings from Macquarie Galleries on 4 April 1977.

    10 months, 1 week ago, by Sean Rabin

  • Made for the middle class

    When it came to collecting art, the early trustees of the Art Gallery of NSW aimed to follow the cultural standards of the Victorian-era British middle class. Watercolours fulfilled those requirements perfectly.

    10 months, 2 weeks ago, by Peter Raissis

  • Not the selfie as you know it

    In establishing the prize that bears his name, JF Archibald may have stipulated that the portrait be 'preferentially of some man or woman distinguished in art, letters, science or politics', but it's obvious that this year's finalists prefer faces from the art world - even more so when it's their own.

    10 months, 3 weeks ago, by Kirsten Tilgals

  • Come together

    The finalists in the 2017 Archibald, Wynne and Sulman Prizes are notable for many reasons, including the inclusion of collaborative works and works by Indigenous artists.

    11 months ago, by Kirsten Tilgals