On display in the 'Fearless' exhibition along with works by other contemporary South Asian women artists, an installation by Dayanita Singh and a woodcut print by Zarina are now part of the Gallery's collection. They offer two very different kinds of journey.
2 weeks ago, by Natalie Seiz
Frank Watters gift
Frank Watters, co-director of Watters Gallery in Sydney, has made a gift of over 30 artworks from his personal collection to the Art Gallery of NSW, including works by Tony Tuckson, Richard Larter, Pat Larter, Vicki Varvaressos, Ken Whisson and Chris O’Doherty.
2 months, 2 weeks ago, by Denise Mimmocchi
Australia is top of the world map in Reena Saini Kallat’s installation, created specifically for the Gallery, which traces migration routes taken by groups of people, from indentured labourers to professionals.
3 months ago, by Sarah Couper
These women are fearless
The last time the Art Gallery of NSW held a group show of women artists of the Asian region was in 1999. ‘Fearless’, which is currently on display, is the first exhibition of South Asian women artists ever held at the Gallery.
3 months, 3 weeks ago, by Natalie Seiz
Vale Pam Hallandal
Vale Pam Hallandal, Australian sculptor, printmaker, draughtswoman and two-time winner of the Dobell Prize for Drawing.
3 months, 3 weeks ago, by Anne Ryan
Stockings and spice
Anyone who has ever owned a pair of stockings and tried to get through a winter without them running or becoming a saggy lump will appreciate the complexities of maintaining a room-full of stockings into perpetuity.
4 months, 1 week ago, by Lisa Catt
Who painted Henry?
The earliest portrait miniatures known to have been produced in England are head-and-shoulder portraits of the young Henry VIII attributed to Lucas Horenbout. Could there be links to the 16th-century portrait panel of Henry in the Art Gallery of NSW collection?
4 months, 3 weeks ago, by Project Team Henry VIII
That was then, this is now
Some of the 2018 Archibald sitters have appeared in prize portraits in the past. We take a look at then and now. How do the paintings compare? And how does an artist's depiction of themselves line up against a portrait of them painted by someone else?
4 months, 3 weeks ago, by Kirsten Tilgals
Vale Charles Blackman
Vale Charles Blackman, one of the most celebrated Australian figurative artists of the 20th century.
5 months ago, by Anne Ryan
Making a Tudor frame
Having established the Gallery's Henry VIII portrait was some 500 years old, there were new questions to answer. What were picture frames like in Tudor England, and how do you go about making a reproduction frame fit for a king?
5 months, 2 weeks ago, by Project Team Henry VIII
Spacemakers and roomshakers
Bicycle wheels, stuffed goats, tonnes of sugar, soap bubbles, crushed cars, potted plants, lard, plastic bottles, television monitors… The list of things from which sculpture can be made today is almost endless.
5 months, 3 weeks ago, by Justin Paton
Even before our recent investigations into the mysteries of the Henry VIII portrait in the Gallery’s collection, we knew that some alterations had been made to the artwork. Now, the painting has been restored to let the original work shine.
6 months ago, by Project Team Henry VIII
Animals in the Archibald
With two dogs, one cat and one bird among the 2018 Archibald Prize finalists, it is worth talking about the role of pets, and animals in general, in the prize.
6 months, 1 week ago, by Eric Riddler
Dendrochronologists do it with trees
It’s truly extraordinary how much information there is locked within a piece of wood. To help unlock the secrets of the Gallery’s Henry VIII portrait, which is painted on an oak panel, we turned to dendrochronology or tree-ring dating.
6 months, 2 weeks ago, by Project Team Henry VIII
Anna May Wong was no ordinary star. Born in Los Angeles in 1905 to second-generation Chinese parents, she broke into Hollywood at a time when studios baulked at screen-testing actresses of colour.
6 months, 3 weeks ago, by Ruby Arrowsmith-Todd
Signs of the Cast Shadow Master
Mystery surrounds the Gallery’s portrait of Henry VIII. To get closer to the truth – and to help us plan its much-needed conservation treatment – we needed to get much, much closer to the painting itself.
7 months ago, by Project Team Henry VIII
Sharing your image, Tudor style
In early 16th-century England the art of portraiture was developing rapidly and there were more pictures of King Henry VIII in existence than of any earlier British monarch. But who created these images, and how?
7 months, 1 week ago, by Project Team Henry VIII
The not-so-young Henrys
The Art Gallery of NSW owns a portrait of Henry VIII, one of the world’s most recognisable figures, but until recently we knew little about it. Some of the artwork’s deepest secrets have now been revealed, following a major research project.
7 months, 2 weeks ago, by Project Team Henry VIII
We are family
When it comes to Australia’s favourite portrait prize, for this year’s crop of finalists and their subjects it’s a real family affair.
8 months, 1 week ago, by Kirsten Tilgals
Looking good once again
Looming eight metres high, Brett Whiteley's giant pair of matches has become a Sydney landmark, marking the approach to the Art Gallery of NSW from Woolloomooloo. The sculpture has just undergone extensive conservation treatment.
9 months, 1 week ago, by Melanie Barrett
When Violet painted Margaret Alice
On International Women's Day, 8 March, we'd like to introduce you to a new painting at the Gallery - a unique portrait from 1900 of tennis-playing Margaret Alice by Australian artist Violet Teague.
10 months, 2 weeks ago, by Art Gallery of NSW blog
A year that shook the world
To commemorate the golden anniversary of 1968, the Gallery’s latest film season offers a genre-spanning, globetrotting snapshot of a year that shook the world.
11 months ago, by Ruby Arrowsmith-Todd
Artist interview: Kushana Bush
New Zealand-based artist Kushana Bush reveals how water-skiing and sportswear are among the vast array of sources for her painstakingly detailed works.
1 year ago, by Lisa Catt
Restoring a Streeton
Almost 100 years after Arthur Streeton painted the WWI battleground of Villers-Bretonneux, a major conservation project has restored both the painting and its frame.
1 year ago, by Céline de Courlon
Sounds of silence
If the paintings of the Dutch golden age could sing, what would they sound like?
1 year, 1 month ago, by Sarah Couper