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Exchange
Food and food wares have always been essential items of international trade and exchange. Chinese ceramics are particularly significant in the history of global trade, fuelling obsessions, demand and design innovation in many parts in the world. From the 700s, kilns in southern provinces such as Hunan, Jiangxi, Fujian and Guangdong were responsible for exporting ceramic wares to Asia, Africa and Europe. The examples of Changsha ware, Kraak ware, Zhangzhou/Swatow ware and Bencharong ware on display demonstrate China’s long history of creating ceramics to appeal to specific international markets.
A fascination for porcelain also drives the practice of renowned Korean artist Koo Bohnchang. For his video work Vessel, he travelled the world photographing ceramics made during Korea’s revered Joseon dynasty (1392–1897).

An installation view of ‘The Way We Eat’ exhibition, Art Gallery of New South Wales

Large dish with design of two dragons
China
Ming dynasty (1368–1644)
earthenware

Ginger jar with prunus blossom design
China
Qing dynasty, Kangxi period (1662–1722)
porcelain with underglaze blue decoration
Blue-and-white porcelain like this jar with exceptional quality made in China swept through Europe during the late 1600s and early 1700s. Prunus blossoms on a cracked-ice background were among the most fashionable designs.

Bencharong ware tazza (stem plate)
China/Thailand
porcelain with enamel decoration
Bencharong (meaning five colours) ware was made in Jingdezhen, China, in the 1700s and early 1800s for exporting to Thailand.

Changsha ware ewer with figurative motif
China
Tang dynasty (618–907)
stoneware with applied relief decoration
under a greenish tinged glaze
Produced at the Tongguan kiln in Hunan province in central China between the 8th and 10th centuries, Changsha ware is famous for distinctive colourful paintings and figurative motifs influenced by West Asian and Central Asian styles.

Globular jar decorated with relief 'head and hand' motif
China
Qing dynasty (1644–1911)
stoneware with brown glaze
This is a fine example of the utilitarian jars made in the southern provincial kilns of China for export throughout Southeast Asia. The round face on one side of the jar and the human hand on the other are unusual design features.