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The Way We Eat at Home

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Essential

Utensils and vessels used for cooking, consuming and storing food are essential to human life. We use them and throw them away as ordinary commodities, but we also collect and admire them as treasures.

Lacquerware and ceramic tableware items have been produced in Asia since prehistoric times. The art of ceramics has a particularly rich history in China, where the world’s oldest pottery fragments have been found. Its evolution over millennia demonstrates the innovation and perfection of technology in modelling, decorating, glazing, and firing. Artists such as Liu Jianhua and Liu Xiaoxian have drawn on this history, repurposing ceramics to express contemporary ideas with the help of workshops that have operated for centuries.

Today, plastic and glass are common for their convenience and affordability. Patty Chang’s glass sculptures highlight how these same properties are disastrous for the ecosystem, with effective recycling one of our greatest challenges.

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Photo © AGNSW, Jenni Carter

An installation view of ‘The Way We Eat’ exhibition, Art Gallery of New South Wales

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China (Qing dynasty 1644–1911) ‘Tray with scene of scholars in discussion in a landscape’ 1800s, carved cinnabar-red lacquer, 25.7 x 38.2 cm, Art Gallery of New South Wales, bequest of George Sherren Johnson 1995
Tray with scene of scholars in discussion in a landscape

China
Qing dynasty (1644–1911)
carved cinnabar-red lacquer

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Liu Xiaoxian (China/Australia, b1963) ‘The way we eat’ 2009, 40 pieces cutlery and 2 chopsticks; porcelain with celadon glaze, Art Gallery of New South Wales, purchased with funds donated by the Allimac Trust 2010 in memory of Peter J Love © LIU Xiaoxian
The way we eat

Liu Xiaoxian
China/Australia, b1963
40 pieces of cutlery and 2 chopsticks; porcelain with celadon glaze

With this work, the artist has created a strong visual comparison between the extravagance of Victorian era cutlery with simplicity of a pair of Chinese chopsticks.

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China (Qing dynasty, Yongzheng–Qianlong periods c1725–50) ‘Chicken cup’, porcelain with underglaze blue and ‘doucai’ overglaze enamels, 3.8 x 8.1 cm, Art Gallery of New South Wales, gift of Mr JH Myrtle 1992
Chicken cup

China
Qing dynasty, Yongzheng–Qianlong periods (c1725–50)
porcelain with underglaze blue and doucai overglaze enamels

A family of brightly painted chickens decorate this delicate wine cup. In Chinese, the words for ‘chicken’ and ‘luck’ sound the same: ji.

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China (Ming dynasty 1368–1644) ‘Bowl with “ruyi” cloud motif’ 1400s–1500s, carved black lacquer, 7.4 x 11 x 11 cm, Art Gallery of New South Wales, gift of Charles Binnie 1939
Bowl with ‘ruyi’ cloud motif

China
Ming dynasty (1368–1644)
carved black lacquer

The precisely carved cloud shape decoration is called ruyi, which means ‘as you wish’ in Chinese.

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China (Neolithic period, Majiayao culture c2350–2050 BCE) ‘Jar with painted decoration’, earthenware, 13 cm diam of mouth; 37.7 x 37 cm, Art Gallery of New South Wales, gift of Elisabeth M Smith 2002
Jar with painted decoration

China
Neolithic period, Majiayao culture (c2350–2050 BCE)
earthenware

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China Sui–Tang dynasties (581–907), 'Ewer with chicken head and dragon handle', stoneware with clear glaze Gift of Mr Sydney Cooper 1962.
Ewer with chicken head and dragon handle

China
Sui–Tang dynasties (581–907)
stoneware with clear glaze

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China Song–Yuan dynasties (960–1368), 'Jizhou ware tea bowl with moon and plum blossom design' c1100s stoneware with brown glaze; slip painted Gift of Graham E Fraser 1988
Tea bowl with slip design of plum blossom

China
Song–Yuan dynasties (960–1368)
stoneware with brown glaze; slip painted

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