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An image of The night is a tree of pain by Frank Hodgkinson

Frank Hodgkinson

(Australia 28 Apr 1919 – 20 Oct 2001)

Title
The night is a tree of pain
Place of origin
SydneyNew South WalesAustralia
Year
1963
Media category
Painting
Materials used
oil on hardboard
Dimensions

triptych: each panel 182.9 x 121.9 cm board; 182.9 x 365.8 cm board overall; 184.5 x 368.1 x 5.5 cm frame overall:

a - left panel; 182.9 x 121.9 cm

b - centre panel; 182.9 x 121.9 cm

c - right panel; 182.9 x 121.9 cm

Signature & date
Signed and dated l.r. corner right panel [part c], black oil "Hodgkinson/ 63". Signed c. verso right panel [part c], white oil "Frank Hodgkinson". Signed c. verso centre panel [part b], white oil "Frank Hodgkinson". Signed c. verso left panel [part a], white oil "Frank Hodgkinson".
Credit
Purchased under the terms of the Florence Turner Blake Bequest 1963
Accession number
OA6.1963.a-c
Copyright
© AGNSW
Location
Not on display
Further information

'The night is a tree of pain' was painted at Hodgkinson's Clareville home on Sydney's Pittwater. He had been in Spain since 1958, following his win in the inaugural Helena Rubinstein Travelling Art Scholarship, and returned again in 1963, settling at Deya de Mallorca, where his neighbours included the poet Robert Graves, and fellow Australian artists John Olsen and Paul Haefliger.

In 1963, Hodgkinson wrote:
"The title ... is a line from a forgotten Indian poem ... not intended to be descriptive but rather to suggest a mood. Though the forms relate to earthy natural growth, human and animal life, the image which teased me was the monumental stillness of totems, a symmetry suggested by the gum tree, natural totems rather than the carved and painted aboriginal ones, creating a tortured and ecstatic silence such as may be experienced in the bush at night".

Applying the knowledge he had gained abroad of Abstract Expressionism and the school of texture or matter painting - exemplified in the work of Spanish artists Tàpies, Milliares, and Suarez - Hodgkinson attempted to create in his paintings of the early 1960s, a uniform all-over texture, which evoked the coarse beauty of raw earth and a strong sense of natural substance, whilst making particular reference to the rugged bush of the area around his home.

Australian Art Department, AGNSW, 2001

Bibliography (3)

Barry Pearce, Hodgkinson, Roseville, 1994, 68, (colour illus.), (colour illus., detail), 173. plate no. 53

Angus Maude (Editor), The Sydney Morning Herald, Sydney, 27 Feb 1963.

Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. 239-240, Sydney, 2000, 244 (colour illus.), 301.

Exhibition history (1)

Hodgkinson 63: new work by Frank Hodgkinson (1963), Hungry Horse Gallery, Paddington, 26 Feb 1963–Mar 1963