We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Entrance to the seaport of desire

1964

Artist

John Olsen

Australia, England, Spain, Portugal

21 Jan 1928 – 11 Apr 2023

Artist profile

Alternate image of Entrance to the seaport of desire by John Olsen
Alternate image of Entrance to the seaport of desire by John Olsen
Alternate image of Entrance to the seaport of desire by John Olsen
Alternate image of Entrance to the seaport of desire by John Olsen
Alternate image of Entrance to the seaport of desire by John Olsen
  • Details

    Date
    1964
    Media category
    Painting
    Materials used
    synthetic polymer paint on canvas
    Dimensions
    167.6 x 213.4 cm stretcher; 171.7 x 219.0 x 5.5 cm frame :

    0 - Whole, 166.3 x 212 cm, SIGHT DIMENSION

    Signature & date

    Signed l.r. corner, black synthetic polymer paint [faded] "John/ Olsen".
    Dated l.r. corner, blue synthetic polymer paint "'64".

    Credit
    Gift of Mrs M.A. McGrath 1968
    Location
    Not on display
    Accession number
    OA23.1968
    Copyright
    © Estate of John Olsen/Copyright Agency

    Reproduction requests

    Artist information
    John Olsen

    Artist profile

    Works in the collection

    133

    Share
  • About

    By 1963, John Olsen was living in a fisherman's cottage at Watson's Bay, close to the entrance of Sydney Harbour. Responding to the rhythmic topography of Sydney's distinctive landforms, Olsen painted a number of works during 1963 and 1964 which are resplendent in their vivacious use of colour.

    Inspired by the lavish sculptural architecture of the Spanish architect Antonio Gaudi, whose cathedral El Temple Expiatori de la Sagrada Família he had seen in Barcelona, Olsen's landscapes heave and swell through a textured web of line and shapes.

    He later wrote in 1973:
    "I've always thought of the formation of Sydney's land forms as a bitch goddess and frankly at times it frightens me. The breasty contours of its hills ... when your [sic] sailing through the heads you feel as though your [sic] sailing through her arms - And when you are coming into her you feel you are going deeper and you are caught in her spidery net."

    © Australian Art Department, Art Gallery of New South Wales, 2000

  • Exhibition history

    Shown in 8 exhibitions

  • Bibliography

    Referenced in 13 publications

Other works by John Olsen

See all 133 works