(Australia, England 27 Mar 1894–01 Mar 1968)
90.5 x 105.5; 95.1 x 110.2 x 4.5cm frame
Jenny McFarlane (Australia) (Author), Concerning the Spiritual: The influence of the Theosophical Society on Australian Artists 1890-1934, North Melbourne, 2012, front cover (colour illus.), 82 (colour illus.). Note: front cover image is a detail. Colour plate pages in between pg. 82-83 are unnumbered.
Ann Stephen (Australia) (Author), Andrew McNamara (Australia) (Author), Philip Goad (Australia) (Author), Modern times: the untold story of modernism in Australia, Sydney, 2008, 19 (colour illus.).
Nick Waterlow (Australia) (Curator), Annabel Pegus (Australia) (Curator), Symposium papers: Colour in art - revisiting 1919 & R-Balson, Paddington, 2008, 26-29. General referennce
Annabel Pegus (Australia) (Author), Nick Waterlow (Australia), Colour in art: Revisiting 1919, Paddington, 2008, 8, 9 (colour illus.), 51 (colour illus.), 62.
'"Colour in art" and Alexander Hector's Electric Colour-Music Organ' by Jenny McFarlane, pg. 292-297., Art and Australia (Vol. 40, No. 2) Dec 2002-Feb 2003, Dec 2002-Feb 2003.
'Resonance of colour and music: a parallel vision that reached out to another generation' by Annabel Pegus, pg. 12-13., Look May 2002, May 2002, 13 (colour illus.).
'Painting's influence on literature' by Daniel Thomas., The Sydney Morning Herald 14 Sep 1976, 14 Sep 1976. General reference
Daniel Thomas (Curator), Project 14: Roy de Maistre 1894-1968, Sydney, 1976. cat.no. 46
'De Maistre - not a discordant note among those who mattered', pg. 28., The Australian financial review 26 Sep 1974, 26 Sep 1974, 28. General reference
Project 14 - Roy de Maistre: 1894-1968 (1976), Art Gallery of New South Wales, 04 Sep 1976–04 Oct 1976.
Colour in Art - revisiting 1919, Ivan Dougherty Gallery, 21 Aug 2008–27 Sep 2008.
Colour in Art - revisiting 1919, Heide Museum of Modern Art, 23 Mar 2009–12 Jul 2009.