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Title

Images of the Amida Buddha

12th century


Artist

Unknown

Japan


About

Printed on extremely thin mulberry paper, this fragment of seven images and two part-images reportedly comes from Joruriji, a temple east of Nara. Several sheets were found inside a sculpture. These particular representations of Amida are the oldest-known woodblock prints of holy images still existing, and other specimens of sheets of Amida figures found at Joruriji are classified as National Treasures.

The Joruriji temple was founded in 1047 as a dedication to the Medicine Buddha Yakushi but was converted to a place of worship for Amida in the early 1100s. The Amida Buddha images sit in the full lotus position on lotus leaves. Their hands are in the gesture ('mudra') of concentration. It was believed that the more images one produced or paid to have produced, the more blessings one accrued. This led to the production of sheets with the same image printed (or stamped) in repetitive rows.

The Asian Collections, AGNSW, 2003, pg.191.

The earliest Buddhist woodblock images, produced in China and Korea, are associated with the reproduction of scriptures and images for ritual purposes. The influential ‘Lotus sutra’ promoted the idea of the replication of text and image as a meritorious practice through which individuals would ‘become fully endowed with a mind of great compassion’ (1). Buddhist woodblock printing in Japan developed in response to this belief in the spiritual efficacy of repeated acts of devotion, most popularly expressed through the recitation of the name of Amida Buddha (‘nenbutsu’) (2)

The ‘Images of the Amida Buddha’ are from a set of the oldest known Japanese woodblock prints of Buddhist images still extant and reportedly found inside a Heian-period statue of Amida Buddha from Jōruri Temple, east of Nara (3). The sealing of relics, including woodblock prints, within statues was an important part of consecration rites. The practice of making multiple depictions of a Buddha image is also derived from the Mahayana notion that the historical Śakyamuni Buddha was just one of countless buddhas, each of whom could also manifest in multiple forms (4)

(1) Watson (trans.) (1993, p.39)
(2) McArthur (1996, p.4)
(3) Menzies (ed.) (2003a, p.191)
(4) Morse and Morse (1996, p.99)

Excerpt from James Bennett, ‘Buddhist woodblock images’ in James Bennett and Amy Reigle Newland (eds.), ‘The golden journey: Japanese art from Australian collections’, Art Gallery of South Australia, 2009, p. 70.
©Art Gallery of South Australia 2009. Reproduced by permission.


Details


Other Titles

Amida Buddha

Buddhas


Place where the work was made

Japan


Date

12th century


Media category

Print


Materials used

woodblock print


Dimensions

13.4 x 10.2 cm sheet


Signature & date

Not signed. Not dated.


Credit

Gift of Professor Mori 1962


Location

Not on display


Accession number

DO24.1962


Artist information

Unknown

Works in the collection

36


Place

Where the work was made
Japan

Shown in 1 exhibition

Exhibition history


Referenced in 2 publications

Bibliography


James Bennett, The golden journey: Japanese art from Australian collections, 'Buddhist woodblock images', pg. 70-75, South Australia, 2009, 70 (colour illus.), 308 (colour illus.).

Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'The art of Buddhism and other worlds', Sydney, 2003, 191 (colour illus.).