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Title

The back gate

1924


Artist

Roy Davies

Australia

1897 - 1979


About

L Roy Davies was apprenticed to a Sydney firm of poster-makers, Hollander and Govett, in 1913, where he learnt the use of lino blocks for the production of advertising posters and other commercial work, and developed an interest in making prints of
his own. After finishing art studies at the Julian Ashton School, he embarked on a six month walking tour of Victoria, where he
made sketches of rural scenes that were later to become the subject of many of his wood engravings. The first of these he
made in 1921, after being introduced to Lionel Lindsay, who was also making some of his first wood engravings at the time, and
produced more than sixty over the next decade.

“The back gate” is a refined version of Davies’ earliest attempts at the medium, which included studies of trees and rustic bush huts, and was illustrated in the English art journal the Studio in a special edition on ‘The new woodcut’ in 1930, a considerable
achievement for an Australian artist at the time – the only other local artist included was Lindsay.

from Anne Ryan, 'Australian etchings and engravings 1880s–1930s from the Gallery's collection', AGNSW, Sydney 2007


Details


Date

1924


Media category

Print


Materials used

wood engraving, printed in black ink on ivory wove paper


Edition

8/25


Dimensions

12.1 x 16.1 cm blockmark; 17.4 x 20.4 cm sheet


Signature & date

Signed, dated in block to print l.r. corner "RD/ 24". Signed and dated l.r., pencil "Roy Davies/ 24."


Credit

Gift of Karna Livingstone 1976


Location

Not on display


Accession number

98.1976


Artist information

Roy Davies

Works in the collection

2


Shown in 1 exhibition

Exhibition history


Referenced in 2 publications

Bibliography