We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Pair of woven wristbands

collected 1963

Artists

Unknown Artist

No image
  • Details

    Other Title
    Pair of men's armbands
    Place where the work was made
    Bela Mendi Southern Highlands Province Papua New Guinea
    Cultural origin
    Mendi people
    Date
    collected 1963
    Media categories
    Weaving , Botanical material
    Materials used
    plaited cane
    Dimensions
    part a: 11.5 cm length, 7.5 cm diameter :

    a - woven wristband, 7.5 cm, diameter at widest point

    a - woven wristband, 11.5 cm (4 1/2"), length of wristband at longest point

    a - woven wristband, 23.5 cm, outside circumference

    Credit
    Gift of Stan Moriarty 1977
    Location
    Not on display
    Accession number
    838.1979.a-b
    Share
  • About

    This is a robust band woven in a twilled or herring-bone pattern, worn around the wrist and reaching about half-way up the forearm, somewhat resembling an archer's bow-brace. Only men wear this bracelet, generally in pairs, one on either wrist. Few sport it everyday, reserving it instead to wear on occassions when donning either 'serep yort' second-best or 'yort onda' best finery, which has been the fashion with this wristlet for so long as anyone can recall. The number owned fluctuates, depending primarily on the recency of full-dress occasions; a few years after two large 'sa' events, 36 per cent of the men surveyed owned 51 wristbands. Worn infrequently, at intervals of several months, these wristbands last for years if kept safely and not lost; those documented were c. 5½ years old on average, ranging from 1 month to 6 years. The current price asked for 2 bracelets is 80 toea to 1 kina.

    The pattern followed in weaving this wide wristband is identical to that for the woven armband, except that it requires considerably more strands. After splitting and shaving the number of strands required for it, a man ties them in pairs onto a stick, with a single odd strand at one end. He weaves the first 'aend menay' circuit until he has a strip large enough to fit comfortably around wrist and forearm, this bracelet, unlike its tight armband counterpart, being worn loosely around the arm. He joins the piece of weave at the strand-stick by commencing the second 'kobae' circuit, and when completed, weaves the third 'tobahaemay' circuit, following either the 'ndul' or 'baerob' pattern, depending on the direction in which he wishes the herring-bone design to run around the bracelet. He completes the wristband by trimming off and tucking in the loose ends. It is then ready for wear and easily slipped on.

    It takes between 10 and 12½ hours to make 1 pair of woven wristbands, using stone or steel tools. Only men weave these bands. Again only some individuals, those able to weave armbands, have the skill and knowledge.

    [from Paul Sillitoe, 'Made in Niugini: technology in the Highlands of Papua New Guinea', British Museum Publications, London, 1988, pg. 426]

    The woven wristband described above was documented by Paul Sillitoe during fieldwork undertaken in the Wola region of the Southern Highlands of Papua New Guinea between 1973 and 1984. The Wola region is west of the Mendi region, where this pair of wristbands were collected at Bela Village by Stan Moriarty in 1963.