(Papua New Guinea – )
overall 207.0 x 38.0 x 24.0 cm; figure (without headdress) 100.0 cm height
Constructed from an astounding array of natural and manufactured materials, this 'kund gale' (effigy) is dressed in the ceremonial attire of a Wahgi male dancer. It is replete with 'konzap kine', a traditional apron decorated with pearlshells. Made by men, the 'kund gale' is used only during the major pig festival called 'konggar' – an extended ritual cycle held once in a generation. Over a period of years, rites are performed, pigs reared, and ceremonial structures built. During the final days of celebration the correct 'bilas' (body decoration) are worn, including bird of paradise plumes.
On the day before the climax of the festival, when hundreds of pigs are killed and pork distributed to family and exchange partners, men perform 'trampling the fence'. This involves rushing onto the ceremonial ground in a display of martial force with one dancer carrying the 'kund gale' mounted on a pole above his head.
[Exhibition text for 'Plumes and pearlshells: art of the New Guinea highlands', AGNSW, 2014]
Natalie Wilson, Look, 'A myriad of artforms: rare and beautiful objects from the highlands of New Guinea', pg. 24-28, Newtown, May 2014, front cover (colour illus., detail), 11 (colour illus.), 27.
Natalie Wilson (Editor), Plumes and pearlshells: art of the New Guinea highlands, Sydney, 2014, front cover (colour illus., detail), 141 (colour illus.), 163. cat.no. 83
Plumes and pearlshells: art of the New Guinea highlands, Art Gallery of New South Wales, Sydney, 30 May 2014–10 Aug 2014