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Title

Untitled #836

2001


Artist

Louise Hearman

Australia

06 Sep 1963 -


About

Spectral presences are often found in Louise Hearman's darkly toned paintings. Children hover above fields, massively out of scale heads seem to appear in trees, disembodied creatures lurk in the undergrowth. While Hearman also paints portraits and genre subjects, some of her most evocative works have been landscapes caught somewhere between daylight and twilight, strangely both darkly toned and brightly lit. While a passing glance may suggest a familiar melancholic vision of the land, a longer gaze reveals the surreal scenes that populate Hearman's landscapes.

In 'Untitled #836' what appears to be a gum tree in the centre of the painting harbours a dogs disembodied and massively outsize head. It looks back at us - still, passive and yet potentially nightmarish. It is just there, partially lost in the shadows as it's form dissolves back into the colour tones of the tree and clouds. While her work has a sense of an Australian gothic to it, the very stillness of the imagery is more dreamlike and inexplicable than horrible or threatening.

Australian painting has often flirted with the gothic, as has literature and film. It seems to be a cultural 'other' to our prevalent obsession with comedy and humour. In Hearman's paintings a sense of a 'paraphysical', somewhere between the metaphysical and the paranormal, is achieved through these displacements of scale and juxtapositions of subject matter. In her gently surreal imagery the artist's subconscious finds an agency in our everyday world.


Details


Date

2001


Media category

Painting


Materials used

oil on masonite


Dimensions

68.5 x 91.0 cm


Signature & date

Not signed. Not dated.


Credit

Gift of Dr Colin and Mrs Elizabeth Laverty 2005


Location

Not on display


Accession number

64.2005


Artist information

Louise Hearman

Works in the collection

5


Shown in 1 exhibition

Exhibition history


Referenced in 1 publication

Bibliography


Donna Brett, Contemporary: Art Gallery of New South Wales Contemporary Collection, 'Expression and the figure', pg.108-153, Sydney, 2006, 132, 133 (colour illus.).