We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Headband

collected 1969

Artists

Unknown Artist

  • Details

    Place where the work was made
    Poroma District Southern Highlands Province Papua New Guinea
    Cultural origin
    Kewa people
    Date
    collected 1969
    Media categories
    Botanical material , Mixed media
    Materials used
    barkcloth, nassa shells (Nassarius), plant fibre string, red pigment
    Dimensions
    decoration 31.0 cm length; overall 79.0 cm length; 6.5 cm width
    Credit
    Gift of Stan Moriarty 1977
    Location
    Not on display
    Accession number
    626.1979
    Copyright
    © Kewa people, under the endorsement of the Pacific Islands Museums Association's (PIMA) Code of Ethics

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  • About

    Headbands made by sewing drilled and polished nassa shells onto a band of barkcloth, banana leaf, or other support were found in many highland cultures. In pre-contact times, nassa shells were traded from the north coast along the Jimi River into the Mount Hagen region. For many highlanders, the source of shells was unknown. The Huli and Wola of the southern highlands believed nassa shells were harvested from an enormous tree. The Telefolmin of the western highlands thought they emanated from the corpse of a man.

    Before the 1940s nassa shells were rare. Valuable shell headbands – often worn by men in battle – were gifted as part of wealth exchange ceremonies together with ropes of cowrie shells. When the Australian administration began bringing large quantities of nassa shells directly into the highlands, large mats of shells began to circulate and were included as part of bride price payments. Pearlshells and cash eventually superseded nassa shells as important bride wealth items.

    [Exhibition text for 'Plumes and pearlshells: art of the New Guinea highlands', AGNSW, 2014]

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication