This unusually large, fine, black inkstone has the added interest of the inscriptions on it and the provenance they imply. It is incised with an image of a kneeling Buddhist monk, which, the inscription suggests, is a self-portrait by the noted Buddhist and artist Wang Zhen (1867-1938), and a poem [upper left] by him which reads:
'In my previous life I was a monk.
Suddenly I came down to this human world,
The fragrant incense is not smoking, but already flowers appear in my vision,
where I can find the essence of Chan [Buddhism].'
It is signed 'white dragon hermit' and dated 1912. The same inkstone also has two poems inscribed by Wu Changshuo (1844-1927), the principle one, on the face of the stone and adjacent to Wang's [upper right] is richly enigmatic:
'Jin Shoumen [Jin Nong] once said
I am in my heart a monk eating congxi [rice gruel]
Now I am going to use this title to give to you.
How about that?'
Another inscription by Wu, on the side of the stone, states that it was carved by Shen Shiyou (1857-1917), a noted collector and inkstone carver who often worked with him.
The Asian Collections, AGNSW, 2003, pg.161.
Inkstone with inscriptions by WANG Zhen and WU Changshuo
Place where the work was made
late 19th century-early 20th century
33.3 x 20.3 cm
Not on display
Where the work was made
Shown in 1 exhibition
Art of the brush, Art Gallery of New South Wales, Sydney, 23 Sep 1995–12 Nov 1995
Referenced in 4 publications
Edmund Capon, Orientations, 'Modern Chinese Paintings in the Art Gallery of New South Wales: The Shanghai School and its Impact', pg. 104-109, Hong Kong, Sep 2000, 107 (illus.). fig.5
Jackie Menzies, Art of the Brush - Chinese & Japanese painting calligraphy, Sydney, 1995, 11.
Jackie Menzies and Edmund Capon, Asian Collection Handbook, Art Gallery of New South Wales, 'Chinese Painting', pg. 42-52, Sydney, 1990, 47 (illus.).
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'The Scholar's Studio', Sydney, 2003, 161 (colour illus.).