(Australia 1952 – )
In six parts: Retina; Reflex; Killing Time; Pattern Practice; The installation; Filling Time
Peter Callas, Technology as Territory Video and Desire in Japan, Fremantle, 15 May 1987-14 Jun 1987.
Ross Harley, Adelaide Biennial of Australian Art, Adelaide, 1990, 28. "Night's High Noon; An Anti-Terrain"
Ross Harley, Art & Text, Sydney, Mar 1988-May 1988, 76-81.