Constantius appoints Constantine as his successor

Unknown (exhibited for sale), Thomas Moore Slade's house, Chatham, , 1792–1792

Unknown (exhibited for sale), 125 Pall Mall, London, , Apr 1793–Jun 1793

Unknown (exhibited for sale), 16 Old Bond Street, London, , May 1795–May 1795

Unknown, British Institution exhibition, British Institution, London, 1828–1828

Oil sketches and smaller pictures by Sir Peter Paul Rubens, Guildhall of St George, King's Lynn, , 1960–1960

Rubens: oil sketches and smaller pictures, Agnew's, London, London, 20 Feb 1961–11 Mar 1961

Constantine the Great: first public exhibition of all major panels of the tapestries from the Barberini Palace, Rome, given to the Philadelphia Museum of Art by the Samuel H. Kress Foundation; the designs by Peter Paul Rubens and Pietro da Cortona, lent by European and American collections, Philadelphia Museum of Art, United States of America, 01 Oct 1964–01 Nov 1964

Old master paintings and drawings: autumn exhibition, Agnew's, London, London, 21 Oct 1980–12 Dec 1980

Rubens' self-portrait in focus, National Gallery of Australia, Canberra, 13 Aug 1988–30 Oct 1988

The James Fairfax collection of old masters, Art Gallery of New South Wales, Sydney, 25 Apr 1992–14 Jun 1992

Great gifts, great patrons, Art Gallery of New South Wales, Sydney, 17 Aug 1994–19 Oct 1994

The James Fairfax collection of old master paintings, drawings and prints, Art Gallery of New South Wales, Sydney, 17 Apr 2003–20 Jul 2003

Grand Courts collection rehang, Art Gallery of New South Wales, Sydney, Nov 2021–2023

Agnew's, London, Old master paintings and drawings: autumn exhibition, London, 1980, 28 (illus.). cat.no. 20

Agnew's, London, Rubens: oil sketches and smaller pictures, 1961, opp. page 12 (illus.), 18. cat.no. 19

Art Gallery of New South Wales, Art Gallery of New South Wales Annual Report 1994, Sydney, 1994, 13 (colour illus.), 44.

Art Gallery of New South Wales, The James Fairfax collection of old masters, Sydney, 1992. no catalogue numbers

Art Gallery of New South Wales, Great gifts, great patrons: an exhibition celebrating private patronage of the Gallery, Sydney, 1994. no catalogue numbers

Richard Beresford and Peter Raissis, The James Fairfax collection of old master paintings, drawings and prints, Sydney, 2003, 164-7, 165 (colour illus.). cat.no. 47

Koenraad Brosens, The Burlington Magazine, ‘A case of mistaken identity: Rubens’s so-called Constantine and Crispus oil-sketch in Sydney’, pg. 86–89, London, Feb 2011, 86, 87 (colour illus.) 89. fig.14

Koenraad Brosens, Simiolus, ‘Who commissioned Rubens’s Constantine series? A new perspective: the entrepreneurial strategy of Marc Comans and François de la Planche’, pg.166-82, 2007-2008, 166, 176 (illus.). fig.8

Koenraad Brosens, The Corpus Rubenianum Ludwig Burchard, 'Constantine and the tapesty market', pg.157-184, London, 2011, 162, 189, 248 (colour illus.). cat.no.1a, fig.2

William Buchanan, Memoirs of painting, London, 1824, vol. I, 169.

Fernand Calmettes, Maurice Fenaille and Jules Guiffrey, État général des tapisseries de la Manufacture des Gobelins depuis son origine jusqu'a jours, 1600-1900, 1903-1923, vol. I, 1923: 46.

Victor Champier and G. Roger Sandoz, Le Palais-Royal d'aprés des documents inédits (1629-1900) Ouvrage illustré de planches hors texte, eaux-fortes, héliotypies, fac-similés d'aquarelles, 1900, vol. I, 519. note 1

Jacques Couché, Galerie du Palais royal: gravée d'aprés les tableaux des differentes ecoles qui la composent: avec un abrégé de la vie des peintres & une description historique de chaque tableau, Paris, 1786-1808, vol. II, 1808: [115].

L.F. Dubois de Saint-Gelais, Description des tableaux du Palais royal: avec la vie des peintres à la tête de leurs ouvrages: dédiée a monseigneur le Duc d'Orleans, premier prince du Sang., Paris, 1727, 409. no. XI, as 'La conversion de Constantin'

L.F. Dubois de Saint-Gelais, Description des tableaux du Palais royal: avec la vie des peintres à la tête de leurs ouvrages: dédiée a monseigneur le Duc d'Orleans, premier prince du Sang, 2nd edition, Paris, 1737, 407. no. XI, as 'La conversion de Constantin'

David T. Dubon, Tapestries from the Samuel H. Kress collections at the Philadelphia Museum of Art: the History of Constantine the Great designed by Peter Paul Rubens and Pietro da Cortona, United States of America, 1964, 10. note 36, pl. 67

Renée Free, AGNSW Collections, 'The Western Heritage, Renaissance to Twentieth Century', pg. 108-172, Sydney, 1994, 117 (colour illus.).

Algernon Graves, A century of loan exhibitions, 1813-1912, 5 vols, London, 1913-1915, vol. III, 1914: 1161.

Guildhall of St George, King's Lynn, Oil sketches and small pictures by Sir Peter Paul Rubens, 1960, 11. cat.no. 12

Julius S. Held, The oil sketches of Peter Paul Rubens: a critical catalogue, 2 vols, 1980, vol.I, 79-80, vol.II, pl.47. no. 46

John Ingamells, The Wallace collection: catalogue of pictures, IV, Dutch and Flemish, London, 1992, 323. no. 7

David Jaffé, Rubens' Self-portrait in focus, Canberra, 1988, 15 (illus.).

David Jaffé, Art and Australia (Vol. 21, No. 3), 'Rubens and Australia', pg. 368-73, Sydney, Autumn 1984, 368-70, 369 (illus.).

Michael Jaffé, Rubens: catalogo completo, Milan, 1989, 268. cat.no. 686, fig. 686

Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pg. 17-77, Sydney, 1999, 25 (colour illus.).

John Smith, A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters, 1829-1842, vol. II, 1830. no. 741

Philadelphia Museum of Art, Constantine the Great: first public exhibition of all major panels of the tapestries from the Barberini Palace, Rome, given to the Philadelphia Museum of Art by the Samuel H. Kress Foundation; the designs by Peter Paul Rubens and Pietro da Cortona, lent by European and American collections, 1964, 87-89, 90 (illus.). cat.no. 22a, fig. 55

Leo van Puyvelde, The sketches of Rubens, London, 1947, 30. no. 12

Leo van Puyvelde, Les esquisses de Rubens, 1940, 28. no. 12

Max Rooses, L'oeuvre de P. P. Rubens; histoire et description de ses tableaux et dessins, 1886-1892, vol. III. 1890: 214. no. 726

Casimir Stryienski, La galerie du régent, Philippe, duc d'Orléans, Paris, 1913, 188-9. no. 16

Gustav Frederich Waagen, Works of art and artists in England, London, 1838, vol.I, 341.

Gustav Frederich Waagen, Treasures of art in Great Britain, being an account of the chief collections of paintings, drawings, sculptures, illuminated mss., etc, 3 vols, vol 2, London, 1854, vol. II, 502.