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Title

Transfiguration

1990


Artist

ENDÔ Ryûta

Japan

1960 -


About

Endo contemplates the dilemma of man in dealing with the modern urban environment he has created. Like a growing number of artists he is concerned with the increasing alienation man feels not only between himself and his environment, but between his body and his spirit. Endo feels man is facing a crisis. Both physically and mentally man must adapt and change quickly when confronted with the instability of the modern world with its swift environmental destruction, the threat of nuclear holocaust, radiation, acid rain, the fear of sickness and AIDS.

He is concerned with the effect of modern society on the body; on the one hand, the unrelenting rhythms of society, unresponsive to individual feelings, must surely distort the body, on the other hand, biotechnology has also meant the body's movements may no longer be connected to the emotions. Endo became enthralled by his grandfather's pacemaker which, not affected by his movements or feelings, relentlessly pumped to an unchanging internal rhythm of 72 cycles per minute.

It was a printing accident in about 1985 that coalesced his feelings about the body. One day his lithographic plate slipped, distorting the skin of the body of his image and giving it the appearance of elephant hide. Endo became aware that this distortion altered one's normal response to the body, and forced a re-appraisal of the relationship to the spirit within the body.

He thus embarked on his series on the body and its appearance. His bodies, devoid of individuality, are studded with leathery skin, and manipulated by cables into and out of the body. There are intimations of bondage, discipline and control. However the contained power and stress emanating from these forms suggest there is still an unresolved tension between man's spirit and its new sheath. Endo seeks to express that immanent spirit inside the changing body.

Endo was born in Yamanashi Prefecture, completed Graduate School at Tama Art University, and now lives in Tokyo.

Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, pg. 25.


Details


Alternative title

Hensei


Place where the work was made

Japan


Period

Heisei period 1989 - → Japan


Date

1990


Media category

Print


Materials used

lithograph


Edition

3/7


Dimensions

72.0 x 93.0 cm image; 79.5 x 110.0 cm sheet


Signature & date

Signed and dated l.r., pencil "Ryuta Endo '90".


Credit

Gift of the artist 1993


Location

Not on display


Accession number

411.1993


Artist information

ENDÔ Ryûta

Works in the collection

1


Place

Where the work was made
Japan

Shown in 1 exhibition

Exhibition history


Referenced in 1 publication

Bibliography


Jackie Menzies, Contemporary Japanese Prints : The Urban Bonsai, Sydney, 1992, 25, 26 (colour illus.). cat.no. 7