61.0 x 49.5cm
Few modern Chinese artists have achieved such renown as Xu Beihong. Famed not only for his prodigious output but also for his gregarious styles, he worked in the European manner in oils, infusing his Chinese brushwork with moments of the Western aesthetic of definition through light and shade. He became immensely popular and widely known with his series of ink paintings of ebullient horses, of which this is a prime example. The painting is dated to the 'jiashen' year (1944).
After an unusually international life, Xu Beihong finally settled in Beijing in 1946 as principal of the Beijing College of the Arts and then from 1949 as head of the Central Academy. A memorial museum, devoted to Xu's life and work is located in Beijing.
The Asian Collections, AGNSW, 2003, pg.171.
'Chinese Painting', pg. 42-52., Asian Collection Handbook, Art Gallery of New South Wales 1990, 1990, 51 (colour illus.).
'The Shanghai School and Modern Painting', The Asian Collections Art Gallery of New South Wales 2003, 2003, 171 (colour illus.).
Jackie Menzies (Australia) (Author), Contemporary Chinese Painting, 1985, 14 (illus.). Cat.no.27
Contemporary Chinese Painting, Art Gallery of New South Wales, 04 May 1985–30 Jun 1985.
Chinese Painting, Art Gallery of New South Wales, 27 Nov 1991–27 Jan 1992.
Art of the brush, Art Gallery of New South Wales, 23 Sep 1995–12 Nov 1995.