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Collection

Shaun Gladwell

(Australia 1972 – )

Title
Maximus swept out to sea (Wattamolla)
Year
2013
Media categories
Time-based media, DVD, Video, Sculpture, Installation
Materials used
single-channel digital video, 16:19, colour, silent, 12:33 min
Edition
AP 1/2
Dimensions

135.0 x 240.0 cm projection screen

Signature & date
Signed Certificate of Authenticity lower c., black fibre-tipped pen "Shaun Gladwell". Dated Certificate of Authenticity c., printed black ink "2013".
Credit
Gift of the artist 2014. Donated through the Australian Government's Cultural Gifts Program
Accession number
37.2014.a-c
Copyright
© Shaun Gladwell
Location
Not on display
Further information

Shaun Gladwell's video work 'Maximus Swept out to Sea (Wattamolla)' 2013 represents the artist's ongoing engagement with art history, popular culture, national identity and Australian landscape mythology. It witnesses the return of the fictional character Maximas; the artist's biker persona equal parts homage to the Mad Max films of the 1980s, and Sidney Nolan's 'Ned Kelly' series 1946-47. Its mystifying narrative has continuity with that of earlier work 'Approach to Mundi Mundi' 2007, in which Maximus patrolled the outback on his motorcycle performing symbolic acts upon the land.

In 'Maximus Swept out to Sea (Wattamolla)' 2013 our protagonist treads water in a lagoon, brandishing a burning branch for a torch. A superimposed waterfall fades in and then out to the ocean, as the artist's slow-motion camerawork captures the endurance of the body countered by Aristolean elements of fire, earth, air and water. Maximus' journey from desert to coast is analogous with the formation of a national consciousness as well as an antipodean reimagining of the lovelorn captain cursed to roam the seas in Wagner's opera The Flying Dutchman (1841).

Exhibition history (1)

Shaun Gladwell: Morning of the earth, Anna Schwartz Gallery, Melbourne, Melbourne, 21 Nov 2013–21 Dec 2013