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Title

AMERIKA, bride dress vitrine

2006

Artist

Mike Parr

Australia

1945 –

Alternate image of AMERIKA, bride dress vitrine by Mike Parr
Alternate image of AMERIKA, bride dress vitrine by Mike Parr
Alternate image of AMERIKA, bride dress vitrine by Mike Parr
Alternate image of AMERIKA, bride dress vitrine by Mike Parr
Alternate image of AMERIKA, bride dress vitrine by Mike Parr
Alternate image of AMERIKA, bride dress vitrine by Mike Parr
Alternate image of AMERIKA, bride dress vitrine by Mike Parr
  • Details

    Date
    2006
    Media category
    Sculpture
    Materials used
    truncated wedge vitrine containing gold leaf casting of the artist's left arm and bride dress
    Dimensions
    92.0 x 162.0 x 62.0 cm
    Signature & date

    Not signed. Not dated.

    Credit
    Gift of the artist 2006
    Location
    Not on display
    Accession number
    347.2007.1
    Copyright
    © Mike Parr

    Reproduction requests

    Artist information
    Mike Parr

    Works in the collection

    79

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  • About

    Starting at dawn on 9th May 2006 and lasting for 74 hours, Mike Parr performed 'AMERIKA, performance for as long as possible, 9-12 May 2006' near the Henry Moore sculpture outside the Gallery. Fasting and meditating for 24 hours a day, this vigil was a symbolic act of restitution offered to the Joseph Beuys tree. This fig tree was planted in 1984 on behalf of the great German artist Joseph Beuys as part of a project initiated in 'Documenta' 1979 to plant a thousand trees. Each of these trees was marked by a basalt column. In this case the column was accidentally removed thereby severing the tree from the Beuys project. In this performance Parr offered the guilded stump of his missing arm as an act of healing.

    Parr dressed as a bride for this action acknowledged the suppressed feminine within every male while drawing on the alchemical ideas of Marcel Duchamp. His gilded stump provided another gesture towards Beuys who famously lectured a dead hare with his head covered in honey and gold leaf. In the photograph 'Best Man' Parr's bride holds the artist's dead male head in her hand while the stump of his/her arm sticks out like a reminder of the phallus further complicating this narrative of fragmented identity. In 'Primitive Gifts' Parr's bride holds a rockmelon with his features superimposed.

    Vitrine: Garry Manson

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 1 publication

    • Jill Sykes, Look, 'New on two', pg. 18-19, Sydney, Sep 2006, 19.

Other works by Mike Parr

See all 79 works