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Helmut Newton

(Germany, Australia, France 1920–2004)

Title
Upstairs at Maxim’s, Paris
Year
1978
Media category
Photograph
Materials used
gelatin silver photograph
Edition
Print 3, Suite II, Edition No. 22/75
Dimensions

36.3 x 24.0cm image; 40.5 x 30.3cm sheet

Signature & date
Signed l.l. verso, pencil "Helmut Newton". Not dated.
Credit
Gift of Edron Pty Ltd - 1995 through the auspices of Alistair McAlpine
Accession number
335.1996
Copyright
Unable to display image due to copyright restrictions
Location
Not on display
Further information

‘Upstairs at Maxim’s’ indulges in another of Newton’s obsessions – the mannequin, which he first used in 1968. They allowed him to stage daring tableaux for French ‘Vogue’, in which, as he said: ‘Using live models would have been too risky.’1 While ‘Upstairs at Maxim’s’ appears at first glance to be a simple shot showing off women’s clothes, the opulent interior with the vacant mirror and the equally vacant mannequin take on a pathos and eroticism due to the simple action of the man kissing the inanimate hand – which has been detached.

Klaus Honnef has commented that ‘the totally artificial atmosphere of traditional fashion photography is missing in Newton’s work, and we can begin to sense a latent imaginative realm of fantasies, dreams and nightmares’.2 Hence Newton’s ability to shock his audience as he made quite explicit the relationship between body, clothes, environment and voyeurism.

1. Newton H 2003, ‘Autobiography’, Gerald Duckworth & Co, London p 145
2. Honnef K 1988, ‘Contemporary photographers’, 2nd ed, ed C Naylor, St James Press, Chicago/London p 758

© Art Gallery of New South Wales Photography Collection Handbook, 2007

Bibliography (3)

7079 (Editor), Photography: Art Gallery of New South Wales Collection, 2007, 185 (illus.).

Discipline and Beauty - women, fashion, photography 1997, 1997.

'Discipline & Beauty Women, Fashion and Photography', by Judy Annear, pg. 14-16., Look Jul 1997, Jul 1997, 16 (illus.).

Exhibition history (1)

Discipline and Beauty, Art Gallery of New South Wales, 28 Jun 1997–17 Aug 1997.