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Title

Ningarimi awarra Wujuwurri (History of Tiwi)

2023

Artist

Pedro Wonaeamirri

Australia

22 Jul 1974 –

Language group: Tiwi, North region

Artist profile

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  • Details

    Place where the work was made
    Milikapiti (Snake Bay) Melville Island Northern Territory Australia
    Date
    2023
    Media category
    Sculpture
    Materials used
    ironwood, natural pigments, feathers, beeswax
    Dimensions
    display dimensions variable :

    a - Purukupali, 82.5 x 14 x 17 cm, irreg.

    b - Japarra, 46 x 14 x 15 cm, irreg.

    c - Waiyai, 65 x 13 x 15 cm, irreg.

    d - Jinani, 46 x 14 x 15 cm, irreg.

    Signature & date

    Not signed. Not dated.

    Credit
    Purchased with funds provided by the Aboriginal Art Collection Benefactors 2023
    Location
    Not on display
    Accession number
    299.2023.a-d
    Copyright
    © Pedro Wonaeamirri, courtesy Jilamara Arts/Copyright Agency
    Artist information
    Pedro Wonaeamirri

    Artist profile

    Works in the collection

    7

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  • About

    The following text is drawn from Pedro Wonaeamirri’s, ‘Pukumani; Letting the world know’ in Tuckson, Art Gallery of New South Wales, Sydney 2018, and Pedro Wonaeamirri, One Foot on the Ground, One Foot in the Water, exhibition catalogue, La Trobe Art
    Institute, 2020.

    “Old Tiwi songline. Purukuparli calling out telling the world: ‘now my son is dead, now we all
    have to follow him’.

    A long time ago the story was told to me of a great man, Purukuparli, and his wife, Waiyai.
    They had a baby son, Jinani. On the other side of the bush camp there was Taparra, the
    moon man, Purukuparli’s brother. One day at the camp on the eastern side of Melville
    Island, Waiyai said to Purukuparli, ‘Can you look after our baby son? I will go out into the
    bush and look for food for our son,’ and she left the little baby boy under a big shady tree.
    When she set off in the bush looking for food there was Taparra, the moon man. Taparra
    saw Waiyai. Then, instead of looking for food, Waiyai went to Taparra and they made love.
    The sun moved, the shade moved and the little baby got hot, burnt by the sun. The baby
    was crying, then he died. Purukuparli went back to the camp and saw Jinani dead. He
    grabbed his son and called out to Waiyai, ‘Your son, your son!’ Purukuparli knew something
    was wrong. Then, Taparra approached and said, ‘I will take him up for three days and I will
    bring him back to life again.’ Purukuparli said, ‘Now that my son is dead, you all have to die,
    you all follow my son.’ Waiyai went down to the creek, crying. She was saying that she was
    guilty of something. Instead of looking for food she went and made love. That was wrong.
    Then Purukuparli said, ‘My son is dead. Now I will have a Pukumani ceremony for my son.’
    Before birds were birds, birds were human. There was pelican, the white egret, the owl, the
    black cockatoo and the white cockatoo. They heard Purukuparli and said, ‘We will give you
    feathers to make headbands, armbands, false beards.’ Then Purukuparli had the ceremony
    on the eastern side of Melville Island. That was a long time ago.
    That story was told by my ancestors, my close family.”

    This story of Purukuparli, his wife and son, is important to Tiwi life and culture. It teaches
    lessons about life and is also the beginning of our ceremonial culture. Since the time when
    Purukuparli danced his dead son into the sea at Yimpinari, the Tiwi people have come
    together for the Pukumani ceremony – to sing, dance and farewell the spirit of our family so
    they can be at rest back on Country. Pukumani ceremony is a grieving ceremony, but it is
    also a celebration of life. Every dance has a song. The song and dance are how you connect
    to the land and the spirit of the deceased person. To let go and say goodbye, see you next
    time on your Country.

Other works by Pedro Wonaeamirri

See all 7 works