(Australia 1953 – )
each panel 200.0 x 180.0 cm stretcher; 200.0 x 540.0 cm overall
Angus Nivison was born in Walcha, northern New South Wales. Apart from his schooling in Sydney, including study at the National Art School during the early 1970s, he has spent all his life on the family property in that part of the state, where until more recent years he was a dedicated grazier. His relationship with the land has informed his imagery deeply as a painter since he began exhibiting in 1982: drought, flood, rain and mud, mountain and plain, and the hard slog of keeping a property viable. Both pre-occupations have been precarious.
The grids and stripes in Nivison's earlier work were a distillation of his admiration for Ian Fairweather, but in recent paintings there is a release from structured enclosure evoking windows, doors and blinds, branches, twigs and sapling clumps, towards a more direct orchestration of mass and great shafts of dark and light. His paintings are a true reflection of experience; part of which perhaps is an inheritance of melancholic poetry from the Irish predecessors of this land, of which Nivison now sees himself as guardian rather than owner.
Nivison won the Wynne Prize in 2002 for his large-scale polyptych 'Remembering rain'.
© Australian Art Department, Art Gallery of New South Wales, 2006
John McDonald and Barry Pearce, Angus Nivison: a survey, 'Images', pg. 7-34, Tamworth, 2012, 21-22 (colour illus.).
John McDonald, The Sydney Morning Herald, 'A reality Czech from Walcha', pg. 16, Sydney, 03 Jun 2006, 16. Review of the exhibition 'Ear to the ground' at Utopia Art Gallery.
Ear to the ground, Utopia Art Sydney, Waterloo, 20 May 2006–10 Jun 2006