synthetic polymer paint on hardboard
219.8 x 137.5 cm board
Signature & date
Signed and dated l.r., black synthetic polymer paint "Rapotec/ 83".
Signed upper c. verso, black fibre-tipped pen ".../ S.I.RAPOTEC".
Signed lower c. verso, black fibre-tipped pen "RAPOTEC".
Signed u.r. verso on strainer, black fibre-tipped pen "S.I.RAPOTEC".
Gift of the artist 1983
Not on display
© Stanislaus Rapotec Estate
Shown in 3 exhibitions
Stanislaus Rapotec (1983), Holdsworth Galleries, Australia, 19 Mar 1983–06 Apr 1983
Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19 Apr 1986–15 Jun 1986
Australian abstraction 1965-1985: from the collection, Art Gallery of New South Wales, Sydney, 09 Dec 2006–25 Jan 2007
Referenced in 7 publications
Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. 8-14, Sydney, 1986, 41 (illus.). cat.no. 41
Lou Klepac, The Australian Slovenian Review, 'Artist with a vast impact Stanislav Rapotec', pg. 14-15, Kings Langley, Autumn 1998, 14 (illus), 15.
Rudi Krausmann', Aspect: Survey of Ethnic Visual Arts in Australia, 'Stanislaus Rapotec interviewed, pg. 6-10, Mona Vale, Autumn 1984, 9 (illus.).
Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 78, 79 (colour illus.).
Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. 239-240, Sydney, 2000, 260 (colour illus.), 302.
Barry Pearce, Meanjin, 'Australian', pg. 13-35, Melbourne, Summer 1951, 32.
Penny Russell, Memories and Dreams: Reflections on 20th Century Australia, Drummoyne, 1997, front cover (colour illus.).