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An image of The waiting girl by Loretta Lux

Loretta Lux

(Germany, Monaco 1969 – )

The waiting girl
Media category
Materials used
Ilfochrome photograph
ed. 7, museum proof

38.0 x 53.0 cm image; 51.0 x 66.0 cm frame

Signature & date
Not signed. Not dated.
Purchased with funds provided by the Photography Collection Benefactors' Program 2007
Accession number
© Loretta Lux/Bild-Kunst. Licensed by Viscopy, Sydney
Not on display
Further information

Born in Dresden in 1969, Loretta Lux spent her childhood in East Germany before moving to Munich shortly before the fall of the Berlin Wall. Prior to beginning her photographic practice in 1999, Lux studied painting for six years at the Akademie der Bildenden Künste, Munich. The central focus of her work has comprised portraits of young children. However, Lux’s portraits are by no means traditional, ‘I call them imaginary portraits. They are not really about the children that I photographed’, commented the artist in interview with Wim van Sinderen (‘Loretta Lux: new work’ 2004). In relation to The waiting girl, Lux has said: ‘It’s a picture about time, and timelessness. For me they are sitting on the sofa as if they are waiting for eternity.’ (‘The Guardian’ 23 November 06)

Through subtle digital manipulation of the body and facial features of her subjects, Lux creates eerie doll-like creatures with glazed eyes, porcelain smooth skin and subtly ill-proportioned forms. The resulting portraits contain an uncanny blend of mute childish innocence and the self-contained stoicism of adulthood.

Lux’s images of children recall those of the old masters, such as Veláquez, Runge and Bronzino whom she cites as main inspirations alongside German photographer August Sander. Lux has stated in an interview with Louise Baring for the ‘Telegraph’ (UK) that she uses children ‘as a metaphor for a lost paradise’. Dressing her young models in past fashions (often of the era of her own childhood) suggests the child’s game of ‘dress ups’ in order to be an adult yet somehow played out in reverse. That is, Lux’s children do not seem like children at all, but rather like serious world-weary adults manifested in childish forms.

Since 2000 Lux has had many solo exhibitions in the USA and Europe. Her work is held in numerous international public collections such as the Solomon R. Guggenheim Museum, New York; the San Francisco Museum of Modern Art; the Museum of Contemporary Art, Los Angeles; and the Fotomuseum den Haag, The Hague. In 2005 the artist received the Infinity Award for Art from the International Center of Photography, New York.

Bibliography (1)

Leo Benedictus, The Guardian, 'Photography: Loretta Lux's best shot' Interview, London, 23 Nov 2006.

Exhibition history (4)

Loretta Lux: Retrospective, Fotomuseum Den Haag, The Hague, 11 Feb 2006–28 May 2006

Paris Photo, Le Carrousel du Louvre, Paris, Paris, 16 Nov 2006–19 Nov 2006

The surreal aesthetic, Art Gallery of New South Wales, Sydney, 28 Jul 2007–14 Oct 2007

What's in a face? aspects of portrait photography, Art Gallery of New South Wales, Sydney, 24 Sep 2011–05 Feb 2012

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