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An image of Life in Borgia - the fortune teller by Salvatore Zofrea

Salvatore Zofrea

(Australia 24 Sep 1946 – )

Life in Borgia - the fortune teller, from the portfolio 'An Odyssey'
Media category
Materials used
woodcut, black ink on white Arches paper
artist's proof

42.0 x 47.5 cm blockmark; 56.9 x 66.7 cm sheet

Signature & date
Signed l.r., pencil "ZOFREA". Not dated.
Purchased 1994
Accession number
© Zofrea
Not on display
Further information

The series 'An Odyssey' consists of 20 woodcuts and title page. An edition of 10 was printed by Jenny Pollack in 1989 and hand-coloured by the artist. The gallery has an artist's proof set before hand-colouring. 'The Odyssey' recounts the experiences of the artist's parents, Guiseppe (1909-86) and Teresa Zofrea née Garigliono (1905-75). Guiseppe migrated to Australia without his family in 1949, and was not to see them until they joined him in Sydney in 1956. 'Life in Borgia - the fortune teller' is based on the artist's memories of carnival time in his home town.

"Every year a man playing a piano accordion would come to town with a boy who wore a cape and carried a little green parrot in a cage. Below the floor of the cage was a drawer full of playing cards. The music of the accordion would rouse up the women and children from their houses - the men would be out in the fields, far from the scene - and the women would pay to have their fortunes told. The little lime-green parrot would crawl along its perch taking sideways steps in a calculating kind of way, and then it would lean over and reach into the drawer. It would pick out a card with its beak, and the woman's fate would be written there. The card my father's mother drew just before his birth, to be a totem or coat-of-arms, was the horseman setting out on a mysterious journey - the Traveller". (Sally McInerney, 'The journeyman, a story of migrant life, a series of woodcuts by Salvatore Zofrea', Sydney: Picador, 1992)

Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', AGNSW, 1998

Bibliography (2)

Glenis Israel, Artwise: visual art 7-10, 'Chapter 2: Humanity', pg. 69-100, Milton, 2013, 71 (illus.).

Hendrik Kolenberg and Anne Ryan, Australian prints from the Gallery's collection, Sydney, 1998, 16 (illus., image in reverse, detail), 17, 123 (illus.). 104

Exhibition history (1)

Australian prints from the Gallery's collection (1998-1999), Art Gallery of New South Wales, Sydney, 06 Nov 1998–07 Feb 1999