(Australia 1952 – 15 Jun 2013)
101.7 x 242.8 cm sheet overall; 110.0 x 250.0 x 2.5 cm frame
The landscape of the remote rural property where Thomas Spence was born differs in every respect from his adopted home of Sydney.
'When I first came to the ‘big city’ of Sydney in my twenties it was like arriving in Disneyland, a world of lushness and plenty – suburban gardens full of flowers, green grass, lights everywhere, in contrast to the austerity and harshness of rural life. This suburban landscape was captivating creatively for a time and dominated my work for a number of years. It was during this time that I decided I would concentrate exclusively on drawing – graphite on paper with an occasional acrylic wash. This technique allowed me the kind of precision and detail I was after to describe the minutiae and almost infinite detail of people’s lives in the suburbs, which so interested me (Thomas Spence, 2003)'.
Spence made a number of small drawings from the top of a block of apartments on Flinders Street, Darlinghurst, near Taylor Square in inner Sydney, which he developed into this drawing in his studio. The attraction afforded by this vantage point was that it gave him an unusual view, looking down on the roofs of the surrounding buildings. Spence made three or four other drawings of Oxford Street, including one of the annual Sydney Gay and Lesbian Mardi Gras, a street parade that takes place there, until he found access to the apartment rooftop was no longer available.
This work won the Dobell Prize for Drawing in 1994 and was acquired by the Gallery in 1994.
Sasha Grishin, The Canberra Times, ‘Farce v serious art judgment’, pg. 17, Canberra, 23 Mar 1994, 17.
Hendrik Kolenberg, Contemporary Australian Drawing: 20 years of the Dobell Prize for Drawing, ‘Introduction’, pg. 6-14, Sydney, 2012, 2 (illus., detail), 7, 22, 23 (colour illus.), 60.
Hendrik Kolenberg, The Dobell Prize for Drawing: 1993-2004, ‘Introduction: the first ten years’, pg. 8-9, Sydney, 2004, 9, 14-15 (colour illus.), 18, 19 (colour illus.), 50, 51.
Bronwyn Watson, The Sydney Morning Herald, ‘Drawing on the fine detail’, pg. 26, Sydney, 27 Apr 1994, 26.
Gavin Wilson, Thomas Spence: 35 years of expressing the inexpressible, Queensland, 2010. cat.no. 1
Dobell Prize for Drawing 1994, Art Gallery of New South Wales, Sydney, 19 Mar 1994–15 May 1994
Dobell Drawing Prize 1998 (Touring show):
Dobell Prize for Drawing: the first ten years, Art Gallery of New South Wales, Sydney, 12 Sep 2004–30 Nov 2004
Thomas Spence, Retrospective and New Works, Stanthorpe Regional Art Gallery, 16 Apr 2010–03 Jun 2010
Contemporary Australian Drawing: 20 Years of the Dobell Drawing Prize: