(Australia 1959 – )
5 figures: each 180.0 x 58.0 cm (irreg.):
a - figure; 180 x 58 cm; each figure
Jenny Aland and Max Darby (Editors), Art Connections, 'An example of writing using the social and cultural analysis plan', pg. 50-52, Port Melbourne, 1998, 52 (colour illus.).
Hannah Fink, The Oxford companion to Aboriginal art and culture, 'Judy Watson', pg. 735, South Melbourne, 2000, 735 (illus.). illus.no. 402
Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Aboriginal and Torres Strait Islander Art', pg. 208-241, Sydney, 1999, 228 (colour illus.).
Margo Neale, Past present: the national women's art anthology, 'Past present continuous: the presentation and interpretation of indigenous art', pg. 20-29, North Ryde, 1999, 24 (illus.), 25. figure no. 3.2
Margo Neale, Yiribana: Aboriginal and Torres Strait Islander collection, Sydney, 1994, 58, 59 (colour illus.), 138-39. plate no. 28
Margo Neale, Yiribana, Sydney, 1994, 7 (colour illus.).
Lin Onus, Aratjara: art of the first Australians, `Southwest, Southeast Australia and Tasmania', pg. 289-329, Dusseldorf, 1993, 317 (colour illus.), 351. cat.no. 135
Hetti Perkins and Margie West, One sun one moon: Aboriginal art in Australia, 'Judy Watson in conversation', pg. 304-310, Sydney, 2007, 304.
Ted Snell, sacred ground beating heart: works by Judy Watson 1989 - 2003, Perth, 2003, 20.
Aratjara: art of the first Australians:
The Dreamers (2009-10), Art Gallery of New South Wales, Sydney, 09 May 2009–15 Aug 2010