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Eva Schlegel
(Austria 1960– )
- Title
- Untitled
- Year
- 1992
- Media category
- Installation
- Materials used
- six plate glass sheets with silk screen on plastic film
- Dimensions
-
6 glass sheets: each 175.0 x 111.5cm (installation dimensions variable):
Each part; 175 x 111.5cm; each sheet, 6 glass sheets
- Signature & date
- Not signed. Not dated.
- Credit
- Mervyn Horton Bequest Fund 1994
- Accession number
- 187.1994.a-f
- Copyright
- © Eva Schlegel
- Location
- Not on display
- Further information
This work was made for the 9th Biennale of Sydney, 1992/3. Schlegel has printed text on to film mounted on glass panes. At times the text is barely legible, at other times it transforms into traces and blurred markings. The work suggests the ephemeral nature of language and its slippage from one context to another.
- Bibliography (2)
-
Deborah Edwards (Australia) (Author), Daphne Wallace (Australia, b.1964) (Author), Margo Neale (Australia) (Author), Victoria Lynn (Australia) (Author), Sandra Byron (Australia) (Author), Review: works by women from the permanent collection of the Art Gallery of New South Wales, Domain, 1995, 15, 25.
Anthony Bond (England; Australia) (Author), Yvonne Kennedy (Author), The 9th Biennale of Sydney: The Boundary Rider, Sydney, 1992, 206. This work is in the exhibition, but the artist is represented in the catalogue by another work.
- Exhibition history (2)
-
The Boundary Rider 9th Biennale of Sydney, Bond Stores 3/4, 15 Dec 1992–14 Mar 1993.
Review - works by women from the permanent collection of the Art Gallery of New South Wales, Art Gallery of New South Wales, 08 Mar 1995–04 Jun 1995.
