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Details
- Place where the work was made
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China
- Period
- Tang dynasty 618 - 907 → China
- Date
- 8th century
- Media category
- Ceramic
- Materials used
- earthenware with sancai (three colour) glaze
- Dimensions
- 77.5 x 56.0 x 25.0 cm
- Signature & date
Not signed. Not dated.
- Credit
- Purchased 1990
- Location
- Not on display
- Accession number
- 1350.1990
- Copyright
- Share
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About
The Tang dynasty is often described as China's Golden Age; nearly three centuries of prosperity and territorial expansion based on an efficient central administration and a lively trans-Asiatic trade along the fabled Silk Roads that traversed the Central Asian deserts. Such was the strength and confidence of Tang China that its capital Changan (present day Xian) became a centre for foreign traders, merchants and travellers. The Tang court was receptive to international styles and fashions in a way that was unique in the history of China. The spirit of the age is clearly echoed in the bright, three-coloured 'sancai', glazed tomb figurines that were much in vogue in Changan.
From the sixth century, models of camels were included in the repertoire of tomb figures, reflecting the crucial role they played in the extensive trade across Central Asia. This large and naturalistically modelled figure of a braying Bactrian camel would have been placed in the tomb of a deceased member of a Tang royal or aristocratic family along with other figures including soldiers, guardians, horses, courtly ladies, and entertainers in the service of the deceased. The pack, which hangs down on either side of the camel's body, is shaped to represent an ogre or lion's head. Behind the pack and over a fringed saddle cloth are tent poles for camping at night on the journey across Asia.
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Places
Where the work was made
China
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Exhibition history
Shown in 1 exhibition
Open Studio (brick vase clay cup jug), Art Gallery of New South Wales, Sydney, 01 Jul 2023–07 Jan 2024
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Bibliography
Referenced in 2 publications
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Jackie Menzies, AGNSW Collections, 'Asian Art - India, South-East Asia, China, Tibet, Korea, Japan', pg. 173-228, Sydney, 1994, 192 (colour illus.).
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Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'Tomb Sculpture', Sydney, 2003, 86, 87 (colour illus.).
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Provenance
Private Collection, circa 1975-1990, Montreal/Canada, purchased by the Art Gallery of New South Wales, Sydney, 2 Dec 1990.