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Title

Shadow play

circa 1919


Artist

Harold Cazneaux

New Zealand, Australia

30 Mar 1878 - 19 Jun 1953


About

Harold Cazneaux is described as "the father of modern photography" in Australia. He was a founding member of the Sydney Camera Circle, a group of photographers in the late 1910s and early 1920s who pursued a change in photographic style. Cazneaux's oeuvre is evidence of this change in representation and approach. His early work is marked by its soft hues and painterly characteristics, as these were the hallmarks of Pictorialism. Later, however, he attempted to portray the unique attributes of Australian light and subject matter, which was a move away from the romantic English inspired imagery that dominated photographic content at that time.

In Shadow Play a formal harmony between light and dark is established in the jagged fence line and its corresponding shadows. The perspective and angle of the fence are shot in such a way as to figuratively lengthen the image, creating a sense of space and depth. The image is an early and eloquent example of the artist attempting yet another transformation in style: to fuse the soft impressionistic tones of Pictorialism with the dramatic forms and unusual angles reminiscent of Modernist photography.


Details


Date

circa 1919


Media category

Photograph


Materials used

gelatin silver photograph


Dimensions

26.3 x 32.7 cm image/sheet


Signature & date

Signed l.r. original mount, pencil "H. Cazneaux". Signed and dated c. verso original mount, pencil "...1920/.... H. Cazneaux".


Credit

Gift of the Cazneaux family 1975


Location

Not on display


Accession number

135.1975


Artist information

Harold Cazneaux

Works in the collection

170


Shown in 2 exhibitions

Exhibition history


Referenced in 3 publications

Bibliography


Natasha Bullock, Harold Cazneaux: artist in photography, Sydney, 2008.

Yuri Mitsuda, Modernism/Japonism in photography 1920s-1940s: Kiichiro Ishida and Sydney Camera Circle, 2002, 95 (illus.). cat.no. S15

Jill Sykes (Editor), Look, Sydney, Jun 2008, 30 (illus.).