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Title

Everyone no 83


Artists

Rodney Glick

Australia

23 Apr 1964 -

Made Leno

Indonesia

1963 -

Wayan Darmadi

Indonesia

1971 -

Dewa Tirtayasa

Indonesia

19 Jan 1985 -

Christopher Hill

Australia

18 Jun 1944 - 15 Aug 2014


About

An early Indian painting of Krishna and his consort Radha was the starting point for 'Everyone no 83' which shows a pair of lovers cloaked in lotus pedals. Krishna, friend to the heroic Pandawas brothers from the Mahabarata, and an incarnation of the great god Visnu, has consummated his love for Radha but then, according to Indian sources, went through a period of wanton play with a series of beautiful cowherd girls. Hearing of his infidelity Radha overcomes intense jealousy and in time returns to become his consort and eventually share his divine status. Even without knowing the background of this work, we might look at this representation of idealised love and wonder if all is as it seems, what emotions are the lovers concealing and what will happen when the petals fade and drop?

Wood carver Made Leno, who has worked with Glick on his previous series of sculptures, is a third generation woodcarver from the village of Kemenuh, south of Ubud [Bali]. He learnt his craft at an early age from his father but also attended art school. Thanks to his training in life drawing at art school he has the ability to carve accurate representations according to Glick's images. Although Leno and Glick are from cultures that could hardly be more different, and without a great deal of common language, a rapport has grown up between these two artists. Glick has also worked closely with two painters, Wayan Darmadi and Bona Kelod and Dewa Tirtayasa from Abianbase. Both are traditional Balinese painting techniques which stress precision and scrupulous attention to detail.

[Extract from catalogue essay by Chris Hill, 'Punching the Devil', New works from Rodney Glick's Everyone Series, 2009]

Typically Glick has updated the traditional scared subject matter with contemporary secular figures wearing trainers and wrist bands. The young lovers gaze at each other, embodying the continuities and universal truths of the traditions and mythologies this sculpture evokes, while also suggesting contemporary uncertainties about love, desire and commitment. In working with Balinese sculptors Glick also looks to our nearest Hindu neighbours for collaborators, and brings into play the history of Australia's fascination with Bali as a place of exotic wonder, carnal delights and hybrid art adapted for Western audiences.


Details


Place where the work was made

Bali Indonesia


Date

2009


Materials used

carved and painted wood


Dimensions

103.7 x 183.0 x 60.5 cm overall :

a - central figures; 80 x 80 x 50 cm

b - flower; 18.7 x 6.3 x 5.8 cm

c - flower; 17.5 x 6 x 5.7 cm

d - flower; 19 x 6 x 5.5 cm

e - flower; 20.6 x 6 x 5.5 cm

f - flower; 16.8 x 6 x 5.7 cm

g - flower; 17 x 6 x 5.7 cm

h - flower; 21 x 5.5 x 6.3 cm

i - flower; 14 x 6 x 5.8 cm

j - flower; 30.5 x 15.6 x 30.5 cm

k - flower; 24 x 10.2 x 10.2 cm

l - flower; 25 x 11 x 11 cm

m - bottom table; 74 x 183 x 60.5 cm

n - top table; 29.7 x 120 x 60.5 cm

o - woven cloth; 60.5 x 122 cm

p - woven mat; 89 x 175 cm


Signature & date

Not signed. Not dated.


Credit

Contemporary Collection Benefactors 2012


Accession number

124.2012.a-p


Artist information

Rodney Glick

Works in the collection

2

Artist information

Made Leno

Works in the collection

2

Artist information

Wayan Darmadi

Works in the collection

2

Artist information

Dewa Tirtayasa

Works in the collection

2

Artist information

Christopher Hill

Works in the collection

2


Place

Where the work was made
Bali

Shown in 5 exhibitions

Exhibition history


Referenced in 6 publications

Bibliography


Christopher Hill., Punching the Devil, 'New works from Rodney Glick's Everyone Series', South Jakarta, 2009, v (colour illus.), vi, vii (colour illus.), xvi (colour illus., detail), xvii (colour illus.). Wayan Darmati, Tony van der Hout and Dewa Tirtayasa are pictured sat in front of the work on pg. v; not paginated

John Buckley Gallery, Rodney Glick: 16 March-9 April 2011, 'The Everyone Series', Melbourne, Mar 2011, (colour illus.). Brochure unfolds into a 42.0 x 29.5cm poster featuring 'Everyone No.83'.

John McPhee, Artist Profile, 'Rodney Glick', pg. 82-87, St Leonards, Aug 2013, 87 (colour illus.). plate no. 05; incorrectly titled ‘Everyone No.99’.

Jackie Menzies, Look, Love in India, pg 12-13, Sydney, Oct 2014, 12.

Justin Paton, Look, Conversations. A new way to engage with the Gallery's Asian art, pg 22-13, Sydney, Oct 2014, 22-23 (colour illus.).

Justin Patton, Look, 'Conversations: A new way to engage with the Gallery's Asian art', pg. 22-23, Sydney, Oct 2014, 23 (colour illus.).