(Australia, England 07 Apr 1939 – 15 Jun 1992)
203.5 x 364.5 cm stretcher; 210.9 x 372.2 x 6.3 cm frame
'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour.'
Brett Whiteley 1975
'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art – fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations.
Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour.
His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/
Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). card no. 8 in education pack
Michaela Boland., Weekend Australian, 'Master cards', pg. 9, Surry Hills, 07 Sep 2013, 9.
Edmund Capon and Jan Meek (Editors), Portrait of a gallery, 'Australian 20th Century Art', pg. 71-89, Sydney, 1984, 72, 72 (colour illus.).
Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). Close up of painting focused on blue harbour and white boats which merges with actual harbour footage with shimmering water. Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise.
Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. 28-29, Sydney, May 1997-Jun 1997, 29 (colour illus.).
Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. 87-118, Roseville, 1991, 115 (colour illus.).
Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. 8-14, Sydney, 1986, 14, 42 (colour illus.). cat.no. 46
Elizabeth Fortescue, Daily telegraph mirror, 'Regarding Whiteley', pg. 28-29, Surry Hills, 09 Sep 1995, 28-29. This article appears in the 'Focus' section of the newspaper.
Bill Gregory, Art and Australia (Vol. 40, No. 3), 'Collecting international art', pg. 454-457, St Leonards, Mar 2003-May 2003, 455 (colour illus.).
Richard Hall (Editor), Sydney: an Oxford anthology, South Melbourne, 2000, front cover (colour illus.).
Jane Hampson, Sun-Herald, 'Brett Whiteley's Images of Sydney Harbour', pg. 15, Sydney, 29 Jun 1997, 15 (illus.). 'Appearing in the 'Time Out' section.
Jane Hampson, Look, 'wwwhiteley.com', pg. 17, South Yarra, Feb 2001, 17 (colour illus.). Image of David Williamson standing in front of 'The balcony 2'.
Mervyn Horton (Editor), Art and Australia [vol. 13, no. 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). Exhibition Commentary: Brett Whiteley at Bonython, Sydney.
Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. Appearing in the 'Salesroom' section of the Australian Financial Review, with regards to the sale of `The Balcony 2', acquired by AGNSW.
Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 167 (colour illus.).
Thomas Keneally, Australia, 'Dead heart / live heart', pg. 30-35, London, 2013, 31 (colour illus.). fig.no. 9
Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. 2-4, Sydney, 2001, 8.
Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. 20-21, Heidelberg, May 1997, 21 (colour illus.).
Alan McCulloch and Susan McCulloch, The Encyclopedia of Australian Art, St Leonards, 1994, 648-49 (colour illus.).
Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 1085 (colour illus.).
Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.).
Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. 239-240, Sydney, 2000, 256 (colour illus.), 257 (colour illus., detail), 302.
Barry Pearce and Alec George, 9 Shades of Whiteley, '4: Lavender Bay', pg. 21, Sydney, 2008, 20 (colour illus.), 21.
Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 32, 34-35 (colour illus.).
Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. 15-41, London, 1995, 35-36, 145 (colour illus.), 231. plate no. 86
Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. 6-7, Sydney, 1981, 6, 25 (colour illus.). cat.no. 45
Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. 6-7, Melbourne, Jul 1996, 6 (illus.), 6-7. Appearing in the 'Special Exhibiton' section. Jennifer Phipps role at the time of publication was Curator of Australian Art.
Andrew Powell, Departures, 'Sydney[.] She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. And now perhaps just a bit taken with her own image', pg. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.).
Max Prisk (Editor), The Sydney Morning Herald, 'Gallery packed as family pays tribute to tragic artist', pg. 5, Sydney, 07 Jul 1992, 5.
Zoë Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. 100-111, London, 1998, 108 (colour illus.).
Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. 174-195, Oxford, 2001, 190 (colour illus.). plate no. 109
Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010.
David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. The Brett Whiteley Retrospective', pg. 9-13, Cammeray, (1995-1996), 9-13.
Jill Sykes, Look, ‘Barry Pearce’s next book-call it “segueing with intent”’, pg. 28-29, Newtown, Mar 2012, 28, 29 (illus.).
Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. 12, Newtown, Oct 2006, 12 (colour illus.).
The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997.
The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.).
The Brett Whiteley Studio, Whiteley & Rees: More affinities, Sydney, 2005, (illus.). List of works
Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.).
Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24 Oct 1975–15 Nov 1975
Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15 Oct 1981–01 Dec 1981
Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Australia, 19 Apr 1986–15 Jun 1986
Brett Whiteley Art & Life (1995-1996):
Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21 Jun 1997–29 Mar 1998
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10 Feb 2001–08 Jul 2001
Whiteley & Rees: more affinities (2006):
9 shades of Whiteley:
Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12 Sep 2009–Aug 2010
Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06 Nov 2010–19 Mar 2011
Blue (2011), The Brett Whiteley Studio, Surry Hills, 09 Jul 2011–08 Jul 2012